Loading...
Done
Berndnaut Smilde Creater Clouds

Dutch artist Berndnaut Smilde is interested in the ephemeral -- impermanent states of being which he documents through photographs. For Nimbus II, he used a smoke machine, combined with moisture and dramatic lighting to create a hovering indoor cloud in the empty setting of a sixteenth-century chapel in Hoorn, a small town in Holland. “I imagined walking into a museum hall with just empty walls. The place even looked deserted. On the one hand I wanted to create an ominous situation. You could see the cloud as a sign of misfortune. You could also read it as an element out of the Dutch landscape paintings in a physical form in a classical museum hall.”
Details
25 Dec 2012 12:31:00
“The Hero”. (Christophe Kiciak)

“I started photography in June 2009. At the time, I was searching for a way to express both the rigorous scientist and the creative artist in me. There are few hobbies that let these two approaches work together, so I really was enthusiastic about it: I am now spending all my free time studying various techniques, contemplating others' fantastic work, and of course, making pictures”. – Christophe Kiciak. Photo: “The Hero”. (Photo by Christophe Kiciak)
Details
11 Jan 2013 15:40:00
Jessica Hilltout : Amen-Grassroots Football

The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”
Details
18 Oct 2012 10:49:00
«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)
Details
10 Aug 2025 04:03:00
 Landscapes Carved Out of Books by Guy Laramee

“So I carve landscapes out of books and I paint Romantic landscapes”, says interdisciplinary artist Guy Laramee who, in the course of his 30 years of practice, found his way through such varied and numerous disciplines as : stage writing, stage directing, contemporary music writing, musical instrument design and building, singing, video, scenography, sculpture, installation, painting and literature. Laramee uses books that are slowly falling apart, such as old encyclopedias and dictionaries to create dramatic landscapes.
Details
05 Jan 2013 18:13:00
“Runners”. (Photo by Gigja Einarsdottir)

“As you can see I love the Icelandic Horse. Born and raised with them, I love to work with them and watch them ... they have unbelievable network of communication and energy I can´t explain with words”. – Gigja Einarsdottir. Photo: “Runners”. (Photo by Gigja Einarsdottir)
Details
06 Oct 2013 10:04:00
Gavin Worth's Steel Wire Sculptures

“I was born in Zimbabwe, Africa in 1981 and grew up in Las Cruces, New Mexico. I graduated with a degree in Acting, and after college, worked as an actor and musician for the Santa Fe Shakespeare Festival, the San Francisco Shakespeare Festival, and the California Shakespeare Theater. I have had a lifelong passion for drawing, painting, and sculpture since I first saw Michelangelo's “Head of Leda” in a book in the library”.

Gavin Worth
Details
09 Mar 2013 10:54:00
Happy dog (..?) – Pannonian spring fantasy

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)
Details
17 Aug 2012 10:17:00