The vendors show the toy of snake at the Spring Festival Temple Fair for celebrating Chinese Lunar New Year of Snake at the Temple of Earth park on February 9, 2013 in Beijing, China. The Chinese Lunar New Year of Snake also known as the Spring Festival, which is based on the Lunisolar Chinese calendar, is celebrated from the first day of the first month of the lunar year and ends with Lantern Festival on the Fifteenth day. (Photo by Feng Li)

A model presents a creation by Chinese designer Chen Wen at China Fashion Week in Beijing, China March 29, 2017. (Photo by Jason Lee/Reuters)

Imagine living in the sea where it is permanently dark, cold, and food is hard to find. For many animals at depth, it may be weeks to months between meals. If you find something to eat, you have to hang on to it. This is why so many deep-sea fishes have lots of big teeth. This dragonfish, spotted off the coast of Australia, even has teeth on its tongue. They would be terrifying animals ... if they weren’t the size of a banana. (Photo by Julian Finn/Museum Victoria)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)

A devotee of the Chinese Samkong Shrine walks with flowers pierced through his cheeks during a procession celebrating the annual vegetarian festival in Phuket, Thailand, October 16, 2015. The festival, featuring face-piercing, spirit mediums and strict vegetarianism celebrates the local Chinese community's belief that abstinence from meat and various stimulants during the ninth lunar month of the Chinese calendar will help them obtain good health and peace of mind. (Photo by Jorge Silva/Reuters)

An Indonesian worker carries a giant candle at a traditional Chinese candle maker for the upcoming Lunar New Year in Bogor, Indonesia, 27 January 2015. The Chinese Lunar New Year, known here as Imlek, is only three weeks away. The whole city is getting decked out to celebrate the event on 19 February 2015. (Photo by Adi Weda/EPA)

Street vendosr prepare grilled pigs to sell for the Chinese New Year celebrations at a market in Phnom Penh, Cambodia, 11 February 2021. Chinese people around the world celebrate the Lunar New Year, also known as the Spring Festival, which marks the year of the Ox. (Photo by Kith Serey/EPA/EFE)