People sit on the top of a truck heavily piled with corn-stalks plies as they head for Mogadishu from Afgooye on October 19, 2016. At least four police officers were killed on October 18 when a suicide bomb attacker rammed an explosives-packed car into a police station before fighters from the Al-Qaeda-linked Shabaab group subsequently stormed the area killing at least 10 people, including soldiers and civilians. (Photo by Mohamed Abdiwahab/AFP Photo)

Joseph Ford is a 39-year-old photographer from Brighton, UK. He creates images seamlessly camouflaging people into backgrounds using knitwear made by Nina Dodd. It can take Dodd, 51, up to 40 hours to knit one item of clothing. This image of a man posing in knitwear, camouflaging into tiles of the steps and wall, is a personal favourite of Joseph’s. (Photo by Joseph Ford/South West News Service)

A visitor looks at a creation by Russian artist Irina Nakhova presented at the Russia's pavilion during the 56th International Art Exhibition (Biennale d'Arte) titled “All the Worlds Futures” on May 5, 2015 in Venice. (Photo by Gabriel Bouys/AFP Photo)

A prong extending from a remote-controlled robot prototype approaches the mouth of a volunteer to extract a throat swab sample, as part of a self-funded project to assist physicians in running tests on suspected COVID-19 coronavirus patients in a bid to limit human exposure to disease-carriers, at a private hospital in Egypt's Nile delta city of Tanta, on March 20, 2021. (Photo by Khaled Desouki/AFP Photo)

A man dressed as a “Trapajon”, representing entities of nature, poses for a picture after taking part in the Vijanera Festival in Silio, northern Spain, Sunday, Jan. 6, 2013. The Vijanera masquerade, of pre-Roman origin, is the first carnival of the year in Europe symbolizing the triumph of good over evil and involving the participation of crowds of residents wearing different masks, animal skins and brightly colored clothing with its own complex function and symbolism and becoming the living example of the survival of archaic cults to nature. (Photo by Daniel Ochoa de Olza/AP Photo)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)

Olga Gharkova enters a aromatherapy room at the British Banya bathhouse, Saturday, February 15, 2014, in Krasnaya Polyana, Russia, just a few miles away from the ski slopes where athletes are competing for Olympic medals. (Photo by Jae C. Hong/Associated Press)

Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)