French artist Charlotte Caron makes very interesting paintings. For the works, a combination of photography and painting, she paints animal heads looking like some sort of masks over the faces of photo-portraits that she takes herself.

Syrian refugee girl Nur El-Huda, 9, shows a drawing of her home in Syria, in her classroom in Yayladagi refugee camp in Hatay province near the Turkish-Syrian border, Turkey, December 16, 2015. Syria's conflict has left hundreds of thousands dead, pushed millions more into exile, and had a profound effect on children who lost their homes or got caught up in the bloodletting. The drawings of young refugees living in Turkey show their memories of home and hopes for its future. The pictures also point to the mental scars borne by 2.3 million Syrian refugees living in Turkey, more than half of them children. (Photo by Umit Bektas/Reuters)

In this picture taken on Saturday, January 31, 2015, Zohreh Etezadossaltaneh, center, talks on her mobile phone, held with her foot, during a meeting at her friend's home in Tehran, Iran. Now 52 years old, the retired Iranian teacher who was born without arms has dedicated herself to helping others with similar disabilities live full and satisfying lives. (Photo by Ebrahim Noroozi/AP Photo)

Michael Pankratz’s intriguing works focus specifically on the feet of tarantulas – an appendage that many have perhaps never focused on. The extreme close-ups of tarantulas’ “paws” show fine, colourful hairs, and sharp claws. Here: Brachypelma albopilosum, foot detail. (Photo by Michael Pankratz/Caters News Agency)

In this photograph taken on April 28, 2018, Afghan children work at a coal yard on the outskirts of Jalalabad, Afghanistan. (Photo by Noorullah Shirzada/AFP Photo)

Fighting Infections (single image) | Fighting Pandemic by Sudipto Das. “It’s exhausting. A tram conductor in Kolkata, India, wears protective clothing from head to toe even in the heat of a summer afternoon. This was when restrictions were easing after India’s first Covid-19 lockdown – public transport was running, but staff were advised to suit up like this. We’ve all grown used to saluting the efforts of healthcare workers, but plenty of other people in public-facing jobs have performed gruelling duties too to keep people safe”. (Photo by Sudipto Das/Wellcome Photography Prize 2021)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

John Crawford was always fascinated of a birds eye view, looking straight down in a vertical perspective. In his series ‘Aerial Nudes’ he is photographing single naked bodies from a high elevation. Perfectly timed photographs show a distant nude body laying down in a series of interesting locations. On each selected shoot day Crawford would deliver his model Carina to the location in the helicopter, positioning her in the carefully arranged set-up, then flying to 600 feet and capturing the image, which would take no more than ten minutes.