A flock of Adjutants storks sit on a garbage dump at Borgaon in Guwahati, Assam, India, 17 October 2019. Wildlife activists and environmentalists have protested in the past for shifting the garbage dump to another site since it is situated near the Deepor Beel Bird Sanctuary. (Photo by EPA/EFE/Stringer)

Actress Tiffany Haddish sits on top of two garbage cans after getting shoved down by passerbys with a scraped knee only to have Billy Crystal come to her rescue filming “Here Today” in Brooklyn, New York on October 28, 2019. (Photo by Christopher Peterson/Splash News and Pictures)

The legendary US photographer’s favourite shots of creatures and how they interact with humans feature in “Animals”, his latest book. Here: A boy rests against a cow, Kathmandu, Nepal, 2013. “Cows have been designated the national animal in Nepal. They roam freely, and are considered sacred by the 80% of Nepalis who are Hindu”. (Photo by Steve McCurry/The Guardian)

A cat sits on the empty Great Wall on February 23, 2021 in Beijing, China. Affected by the new coronavirus (COVID-19), the number of visitors to Mutianyu Great Wall in 2020 dropped by about 60%. (Photo by Lintao Zhang/Getty Images)

A Palestinian boy drinks water from a bucket near the site of his family's tented home, which according to Palestinians was dismantled by Israeli forces in Jordan Valley in the Israeli-occupied West Bank on February 2, 2021. (Photo by Raneen Sawafta/Reuters)

Youths, who covered themselves from head to toe in silver paint to become “manusia silver” (silvermen), as part of their act to make a living, laugh as they ride on the back of a truck in Jakarta, Indonesia, March 31, 2021. (Photo by Willy Kurniawan/Reuters)

Naga Sadhus, or Hindu holy men, participate in the procession for taking a dip in the Ganges river during Shahi Snan at “Kumbh Mela”, or the Pitcher Festival, amidst the spread of the coronavirus disease (COVID-19), in Haridwar, India, April 12, 2021. (Photo by Danish Siddiqui/Reuters)

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)