A soldier eats ice cream as she visits a zoo in Pyongyang, North Korea, September 12, 2018. (Photo by Danish Siddiqui/Reuters)

People carry the body of a man they uncovered from under the rubble of houses destroyed by Saudi airstrikes in the old city of Sanaa, Yemen, Friday, June 12, 2015. (AP Photo/Hani Mohammed)

People walk past the 23-foot “Unitled (LAMP/BEAR)” outdoor sculpture of a teddy bear by artist Urs Fischer April 8, 2011 in New York City. The 35,000 pound sculpture of a yellow teddy bear with a working lamp will be on display for five months in front of the Seagram Building in Manhattan. The sculpture is expected to sell for more than $10 million at Christie’s Post-War & Contemporary Evening Sale on May 11. (Photo by Mario Tama/Getty Images)

The sun catches on the panels of a 1928 Rolls Royce Phantom at Northington Grange, the summer home of the Grange Park Opera, on April 16, 2011 near Winchester, England. The English Heritage Grade 1 listed Greek Revival style property was the setting for the inter-war Rolls Royce20-Ghost Club members which was founded in 1949 by a group of owners of vintage Rolls Royce cars. (Photo by Matt Cardy/Getty Images)

Meatball, a bulldog, poses in a tuxedo at the Tompkins Square Halloween Dog Parade on October 20, 2012 in New York City. Hundreds of dog owners festooned their pets for the annual event, the largest of its kind in the United States. (Photo by John Moore)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

In this handout image supplied by the Olympic Delivery Authority, workers carryout the installation of artist Monica Bonvicini's “RUN” sculpture in the plaza of the London 2012 Handball Arena at the Olympic Park on January 12, 2012 in London, England. (Photo by Olympic Delivery Authority via Getty Images)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.