A Yemeni soldier, pictured through a vehicle's windscreen, which was damaged by a bullet, gestures out of the window, in Marib, Yemen October 15, 2015. Marib is a city that is heavily armed even by the standards of Yemen, where the ready availability of weapons helped start civil war and is now preventing anyone coming out on top. Yemenis often say there are three guns for every person, a boast that has become an urgent concern in a country where the United Nations says the humanitarian situation is "critical". (Photo by Angus McDowall/Reuters)

An illuminated Christmas tree leans against the window of a damaged house in Mayschoss in the Ahrtal valley, southern Germany, Tuesday, December 14, 2021. The region was hit by floodings exactly five months ago, causing the death of about 180 people. Amid the mud and debris still clogging the streets from last summer's devastating floods, residents of the Ahr Valley in western Germany are trying to spark some festive cheer with Christmas trees. (Photo by Michael Probst/AP Photo)

Invasion (laser girls) 2017. “I’m always thinking about my art practice, so any experience I have may spike a visual when I have an idea in mind. An example is that, when I was thinking about the Invasion series, I was inspired by Alfred Hitchcock’s movie The Birds (1963). I love Hitchcock’s other movies and have been contemplating a series based on Rear Window (1954). I also find inspiration outside the cinema in music clips and magazines”. (Photo by Michael Cook/Perimeter Books)

A combination photo shows some of the colourful doors seen in Rabat's Medina and Kasbah of the Udayas, September 2014. UNESCO made Rabat a World Heritage Site two years ago and media and tour operators call it a “must-see destination”. But it seems the tourist hordes have yet to find out. While visitors are getting squeezed through the better-known sites of Marrakesh and Fez, the old part of Rabat - with its beautiful Medina and Kasbah of the Udayas - remains an almost unspoiled oasis of calm. Smaller and more compact, its labyrinths of streets, passages and dead ends are a treasure trove of shapes and colours, of moments begging to be caught by the photographer's lens. (Photo by Damir Sagolj/Reuters)

A visitor stands in the exhibition “I Am A Drop In The Ocean” dedicated to the artistic and visual expressions of the protests that shook the Ukraine from November 2013 until February 2014 at the Kuenstlerhaus gallery in Vienna, Austria, Thursday, April 10, 2014. The exhibition opens its doors from April 11 until May 23, 2014. (Photo by Ronald Zak/AP Photo)

Takeoka Chisaka, Hiroshima, Japan. “One morning in August 1945, I was walking home from the night shift at a factory in Hiroshima. As I reached my door, there was a huge explosion. When I came to, my head was bleeding and I had been blasted 30m away. The atomic bomb had detonated. When I found my mother, her eyes were badly burned. A doctor said they had to come out, but he didn’t have the proper tools so used a knife instead. It was hellish. I became a peace-worker after the war. In the 1960s, at a meeting at the UN, I met one of the people who created the atomic bomb. He apologised”. (Photo and caption by Sasha Maslov)

In this Saturday, May 7, 2016 photo, Afghan refugee Shazia Lutfi, 19, peeks through the door of her room at the former prison of De Koepel in Haarlem, Netherlands. The government has let Belgium and Norway put prisoners in its empty cells and now, amid the huge flow of migrants into Europe, several Dutch prisons have been temporarily pressed into service as asylum seeker centers. (Photo by Muhammed Muheisen/AP Photo)