A woman walks into the ocean as a sea lion makes its way to the beach in the La Jolla neighborhood of San Diego, California, on September 3, 2025. (Photo by Mike Blake/Reuters)

On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.

An exile Tibetan monk gestures as he makes a point in a dialectics debate with another monk, sitting right, at the Kirti monastery in Dharmsala, India, Monday, January 18, 2016. The debate is an essential part of their training as Buddhist monks. (Photo by Ashwini Bhatia/AP Photo)

Enjoying a tickle from her keeper, an orphaned orangutan at the SOCP Quarantine Centre in Sumatra, Indonesia on March 20, 2016. The island’s orangutan population has been devastated in recent years as the forest areas are destroyed to make way for palm oil plantations. (Photo by Jami Tarris/Barcroft Media)

An undated handout picture made available on 29 April 2016 by the Toronga Zoo shows a baby echidna making a remarkable recovery after being attacked by chickens in a family's backyard at the Taronga Zoo in Sydney, Australia. (Photo by EPA/Taronga Zoo)

Dressers make last minute adjustments to the costumes of dancers performing as horses during a press preview of American artist Nick Cave's first major work shown in Australia, entitled HEARD.SYD in Sydney, November 8, 2016. Over several days the live art performance will feature 30 “horses” dancing to live percussion beats in suits made from coloured raffia plant fibres. (Photo by Jason Reed/Reuters)