A derelict farm house adorns the horizon as it sits in a field in the Lancashire Countryside on January 26, 2012 in Burscough, England. (Photo by Christopher Furlong/Getty Images)
A wild leopard runs on the stairs as it tries to escape from a compound of a house in Kathmandu, Nepal June 1, 2016. (Photo by Navesh Chitrakar/Reuters)
A woman sits on the rubble of her house in the aftermath of a deadly earthquake in Kahramanmaras, Turkey on February 14, 2023. (Photo by Nir Elias/Reuters)
Palestinians react at the site of an Israeli strike on a house, in Khan Younis, in the southern Gaza Strip on October 24, 2023. (Photo by Ibraheem Abu Mustafa/Reuters)
This photo taken on May 17, 2019 shows rough rubies displayed at the gems market in Mogok town, north of Mandalay. Burrowing deep underground, thousands of informal miners risk their lives to find gleaming red gems as a law change spurs opportunity in Myanmar's “land of rubies”. (Photo by Ye Aung Thu/AFP Photo)
Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.