Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

Created by artist and unassuming local celebrity, Keith Jennings, the first tree spirit arrived on St. Simons Island in 1982. The old story goes that Keith negotiated his way out of a bar tab, hence, a tree priestess was born behind Murphy’s Tavern, on a blurry Saturday morning. In his own words, however, Keith states that his first tree spirit was created in the back yard of a place called, “The Animal Farm”. Either way, Keith Jennings has been known to cut the rug around here, no matter how you slice it.

In one of the best collaborations this blog has seen in ages, professional illustrator Mica Angela Hendricks has been collaborating with her 4-year-old daughter on a series of wonderful drawings that pass back and forther between mother and daugher until reaching an always unexpected final form. Each drawing begins with Hendricks drawing a detailed retro-ish head, after which her daughter snatches away the sketchbook to create rudimentary body (or animal!) parts as well as other random details. Afterward Hendricks goes back in to polish things up a bit and behold: dinosaur women, slug ladies, and beaver astronauts are born.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

In this handout GOES satellite image provided by the National Oceanic and Atmospheric Administration (NOAA), Irene reaches hurricane strength as it moves across Puerto Rico towards Hispaniola August 22, 2011 in the Caribbean Sea. Irene, the first hurricane of the Atlantic storm season, brought torrential rains and winds to Puerto Rico, downing trees and powerlines and flooding streets. The expected path will bring Irene through the Bahamas and is likely to hit Florida and up the east coast of the U.S. (Photo by NOAA via Getty Images)