CHALLOCK, ENGLAND - MARCH 31: Tony Hall walks with his dog through an installation entitled 'Super Kingdom', which hangs in trees in King's Wood as part of the Stour Valley Arts project on March 31, 2011 in Challock, England. The works by artists Bruce Gilchrist and Jo Joelson of 'London Fieldworks' consist of a series of interesting animal habitats, modelled on the palaces of Stalin, Ceauscescu and Mussolini, and offer nesting sites to many native and migrant species. (Photo by Dan Kitwood/Getty Images)

Men stage an attack during a training session for the Olympic Torch Security Team who will be protecting the torch bearers and Olympic flame during the torch relay's progress through the UK, at the Metropolitan Police Training School on March 9, 2012 in London, England. (Photo by Lewis Whyld – WPA Pool /Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Police are highly visible at the Notting Hill carnival with several arrests, stop and search and a “knife detection gate” in operation, August 27, 2018 in west London, England. 133 arrests were made at the carnival yesterday with 20 knives seized. (Photo by South West News Service/Action Press/Picturedesk)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

A Russian peacekeeper shouts “No pictures!” at a checkpoint outside the city of Stepanakert on November 13, 2020, during a ceasefire in the military conflict between Armenia and Azerbaijan over the breakaway region of Nagorno-Karabakh. Russian began deploying 2,000 peacekeepers to Nagorno-Karabakh on November 10 after Armenia and Azerbaijan agreed a peace deal to end weeks of fierce fighting over the disputed region. (Photo by Alexander Nemenov/AFP Photo)