Beneath the Swedish capital lies an intricate web of underground train lines. More than 90 of the 100 stations in the 110km tunnel system, sometimes referred to as “the world’s longest art gallery”, have been decorated with paintings, installations, mosaics and sculptures by 150 artists since the 1950s. After spending a couple of weeks exploring arctic Norway and Sweden, London-based travel photographer Conor MacNeill headed underground to capture images of the metro stations. Here: A rainbow arcs over a girl on the platform of Stadion station. (Photo by Conor MacNeill/The Observer)

Students hold their weapons before the swearing in ceremony for the military students, in Bucharest, Romania, Wednesday, October 25, 2017. The Romanian Army is proudly celebrating their Army Day and marking 100-years since the landmark battle of Marasesti, a key World War I battle in 1917 when Romanian and Russian soldiers defeated German troops, halting a German offensive. (Photo by Vadim Ghirda/AP Photo)

Hungarians witness the fallen statue of communist leader Josef Stalin in front of the National Theater in Budapest on October 24, 1956. Demonstrators revolting against communist rule in Hungary pulled the statue to the ground at Dozsa Gyorgy on Oct. 23 and hauled it by tractor to Blaha Lujza where it was later smashed to pieces by the people. (Photo by Arpad Hazafi/AP Photo)

Members of the contemporary circus company Cirk La Putyka perform in front of sculpture of Franz Kafka's head to entertain local residents in Prague, Czech Republic, 21 April 2020. The aim of the Cirk La Putyka events in the streets of Czech capital is to get live art back to people during the lockdown. According to them, when people can't go to the artists, to the theater, the actors go to the people. The Czech government has imposed a lockdown in an attempt to slow down the spread of the pandemic COVID-19 disease caused by the SARS-CoV-2 coronavirus. (Photo by Martin Divisek/EPA/EFE/Rex Features/Shutterstock)

Lilith interacts with spectators in the streets of Toulouse. French street show creator Francois Delaroziere, director of the art company “La Machine”, creates a show in the streets of Toulouse. The new show displays giant characters: Asterion, the Minotaur; Lilith, the scorpion woman; and Ariane, the spider woman. Lilith is fond of the Minotaur and wants to take Asterion to hell with her. Ariane protects Asterion and tries everything to keep Asterion safe. The show is displayed over three days and is attended by dozens of people. During the three days, the giant characters appear in the streets of Toulouse. (Photo by Alain Pitton/NurPhoto)

A woman dressed in a cheongsam interacts gracefully with vibrant fish lanterns at Kwai Chai Hong, a heritage revival alley in Chinatown, on January 09, 2025, in Kuala Lumpur, Malaysia. Kwai Chai Hong celebrates the Lunar New Year with an immersive art installation titled Bountiful Blessings, inspired by the idiom “Nian Nian You Yu”, which translates to “Wishing an Abundance Year After Year”, blending traditional fish lanterns with modern lights to inspire abundance and prosperity, inviting visitors to embark on a cultural journey of generosity and abundance for future generations. (Photo by Annice Lyn/Getty Images)

Rapper Belcalis Marlenis Almánzar, known professionally as Cardi B arrives at Queens Criminal Court on December 10, 2019 in New York City to answer charges over strip club incident. Cardi B has been charged in a 14-count indictment, including two counts of felony attempted assault on two bartenders at Angels Strip Club in the Flushing section of Queens. (Photo by John Angelillo/UPI/Barcroft Media)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)