A policewoman wipes her tears as she stands in front of metal caskets containing the bodies of Special Action Force (SAF) police who were killed in Sunday's clash with Muslim rebels, at Villamor Air Base in Pasay city, metro Manila January 29, 2015. Philippine President Benigno Aquino urged legislators on Wednesday not to abandon a plan for autonomy for Muslims to end a decades-old insurgency after the clash in which dozens of people were killed, saying doing so would dash hopes for peace. (Photo by Romeo Ranoco/Reuters)

A believer dressed as a “diablo” (devil) jumps at the San Blas' (Saint Blaise) procession during the “Endiablada” festival in Almonacid del Marquesado, in central Spain February 3, 2015. In the “Endiablada”, an undated traditional festival in honour of the Candelaria Virgin and San Blas, believers are dressed in colourful costumes, wear a mitre with lead cowbells tied to their waists that ring as they wander around the village and in front of the saints' statues during their processions. (Photo by Susana Vera/Reuters)

Latefat Alao, 56, a ethnic Yoruba Muslim woman, waits for customers in front of her in Beere market in Ibadan, southwest Nigeria, January 29, 2015. Much of the grain and wheat traders like Alao sell comes from the north and Boko Haram's campaign has negatively affected farmers and food markets. Reuters photographer Akintunde Akinleye photographed Nigerians and asked them about their views on the elections as well as their hopes and concerns for the country. (Photo by Akintunde Akinleye/Reuters)

A volunteer photographs a woman as she kisses a volunteer wearing a condom costume during marking the International Condom Day in Kiev, Ukraine, 13 February 2015. The event was organized to promote and create awareness towards “Safe s*x” and the use of condoms to control and prevent Human Immunodeficiency Virus (HIV) and other sexually transmitted diseases on the occasion of the International Condom day. (Photo by Roman Pilipey/EPA)

Reuters multi-award winning photographers are celebrated here in a three part retrospective on the 30th anniversary of the service's launch. They have captured dramatic images illustrating the human tragedy of natural disaster and war as well as the fallout of economic events across the continents, creating iconic images, recognised around the world. Here: an injured soccer fan is carried to safety by a friend after a wall collapsed during violence between fans before the European Cup final between Juventus and Liverpool at the Heysel stadium in Brussels, May 29, 1985. 39 people died, and a further 600 were injured. (Photo by Nick Didlick/Reuters)

Boys play basketball in the facilities of Belarus' Republican Clinic of Speleotherapy within a salt mine, as part of their treatment, near the town of Soligorsk, south of Minsk, February 19, 2015. According to the state clinic, more than 7,000 children and adults seek medical treatment for respiratory illness each year in the subsurface chambers of its facilities, located 420 metres underground between layers of potassium and stone salts in an operational salt mine. (Photo by Vasily Fedosenko/Reuters)

Recycling artist Nicolas Gomez checks the strings of a cello he has made out of an oil barrel for the Orchestra of Recycled Instruments of Cateura, in Cateura, Paraguay February 13, 2015. Saudi Arabia's oil exports have risen in February in response to stronger demand from customers. As OPEC's top producer battles for market share Reuters photographers around the globe have been photographing oil barrels to document how they are utilised once the fuel has been used. (Photo by Jorge Adorno/Reuters)

A quirky cartoonist challenged his own creation to a fight – but he could only draw. US artist Alex Solis, 31, from Chicago, Illinois, drew his skull t-shirt-wearing alter ego, who he calls Chuck, smashing his phone and stabbing his finger in his Inkteraction pictures. But Alex got his own back with a punch to Chucks jaw before squashing him against the bottom of the page. The ink man tried to get under Chucks skin to win the fight by stretching and pulling the cartoons face as the drawings became more bloody. (Photo by Alex Solis/Caters News)