In this May 24, 2016 photo, a young boy descends the Qullqip'unqu mountain looking out at the tens of thousands of pilgrims gathered to celebrate the three-day festival Qoyllur Rit’i, translated from the Quechua language as Snow Star, in the Andean Sinakara Valley, in Peru's Cusco region. The celebration that mixes Catholic and indigenous beliefs honors Jesus as well as the area’s glacier, which is considered sacred among some indigenous people. While the native celebration is far older, the Christian part of the ritual stretches back to the 1700s, when Jesus is said to have appeared to a young shepherd in the form of another boy. (Photo by Rodrigo Abd/AP Photo)

The Breitling DC-3, HB-IRJ, plane fly escorted by Italian Air Force's aerobatic demonstration team, the Frecce Tricolori, during the last stage of its world tour two days ahead of the International Sion Air Show, in Sion, Switzerland, 13 September 2017. From March to September 2017, the Breitling DC-3 from 1940 has done a grand world tour in several stages, over 28 countries and flies 50000km, an amazing accomplishment for this legendary plane that will be celebrating its 77th birthday. (Photo by Christian Merz/EPA/EFE)

People take part in a sunset ceremony on the lower slopes of Glastonbury Tor as they celebrate Samhain at the Glastonbury Dragons Samhain Wild Hunt 2017 in Glastonbury on November 4, 2017 in Somerset, England. To celebrate Samhain, the Glastonbury Dragons, alongside Gwythyr Ap Greidal, the Summer King and the Winter King, (Photo by Matt Cardy/Getty Images)

A child blowing confetti from her hands during a Carnival parade in Cyprus' coastal city of Limassol, Sunday, March 13, 2016. Limassol's long-established parade is Cyprus' biggest and most famous, drawing revelers from across the east Mediterranean island. This year's parade drew huge crowds as people sought lighthearted reprieve from the bailed-out country's recession. The parade marks the start of the 40-day fasting period of Lent in the run-up to the Orthodox Christian Easter. (Photo by Petros Karadjias/AP Photo)

In this Saturday, December 30, 2017, picture a girl wearing a bear fur costume takes part in an annual bear parade in Comanesti, Romania. It's a tradition that originated in pre-Christian times, when dancers wearing colored costumes or animal furs went from house to house in villages, singing and dancing to ward off evil. (Photo by Vadim Ghirda/AP Photo)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.