Are you one of those people who like to keep everything in order? If you do, you’re going to love the project The Art of Clean Up, created by Ursus Wehrli. This guy will perfectly organize the most unusual of places! Do you hate how unorganized the parking lots are, or how your haphazardly your grandma hangs the laundry to dry in the sun? Welcome to the perfect world where everything is in its rightful place. Every little detail is kept in check; every color is placed where it belongs, just like you love it. Did you ever think that your Christmas tree is not orderly enough? Well, Ursus will take it apart and put it in near little piles. (Photo by Ursus Wehrli)

Rangoli, also known as kolam or Muggu, is a folk art from India in which patterns are created on the floor in living rooms or courtyards using materials such as colored rice, dry flour, colored sand or flower petals. It is usually made during Diwali, Onam, Pongal and other Indian festivals. They are meant to be sacred welcoming areas for the Hindu deities. The ancient symbols have been passed down through the ages, from each generation to the next, keeping both the art form and the tradition alive. Similar practices are followed in different Indian states: in Tamil Nadu, there is Kolam in Tamil Nadu; Mandana in Rajasthan; Chaookpurna in Chhattisgarh; Alpana in West Bengal; Aripana in Bihar; Chowk pujan in Uttar Pradesh; Muggu in Andhra Pradesh and others.

This photographer has made it her mission to change people’s perception of pigeons – focusing on some of the most beautiful of the more than 300 species found globally. Rather than focus on the gray, nondescript birds people usually associate with the term “pigeon”, Leila Jeffreys has instead decided to snap the more vibrant varieties. Whether it be the wompoo pigeon, with its deep purple breast and green wings, or the rose-crowned fruit dove, with its pink head, Jeffreys, 46, gives the birds the same attention she would give a human model. (Photo by Leila Jefferies/Caters News Agency)

“The titan arum or Amorphophallus titanum (from Ancient Greek amorphos, “without form, misshapen” + phallos, “phallus”, and titan, “giant”) is a flowering plant with the largest unbranched inflorescence in the world. The titan arum's inflorescence is not as large as that of the Talipot palm, Corypha umbraculifera, but the inflorescence of the Talipot palm is branched rather than unbranched”. – Wikipedia

Photo: Kew Gardens employee Lauren Bird Royal examines the flowering of the Titan Arum lily at the Botanical Gardens at Kew on September 30, 2005 in London, England. For the first time in horticultural history, the Titan Arum lily can be seen at all three active stages in its lifecycle – in flower, fruit and leaf.The flowering corm is nearly three metres tall and weighs 91kg and is very rarely seen outside of the rainforests of Sumatra, Indonesia. (Photo by Scott Barbour/Getty Images)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

A woman (L) places flowers at a grave next to a mummified body during exhumation works at the General Cemetery in Guatemala City, April 15, 2015. If a lease on a grave has expired or not been paid, grave cleaners will break open the crypts to remove and rebury the bodies. Any remains that have not been claimed are packed into plastic bags, labeled and stored in mass graves. Bodies that have been stored in the upper crypt are exposed to dry and sunny conditions which means they do not decompose and instead become mummified. (Photo by Jorge Dan Lopez/Reuters)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)