An Afghani man sells bread on a roadside in Kandahar, Afghanistan, 23 April 2024. A recent World Bank report reveals a 26% decrease in Afghanistan's gross output over the past year, primarily attributed to a 1.3 billion USD income reduction for farmers due to the ban on drug cultivation. Although tax revenue saw a modest increase of 13% in 2023, exports experienced a 15% decline specifically to Pakistan. Afghan officials highlighted efforts to spur domestic production, improve trade, stabilize the national currency, and initiate key economic projects. (Photo by Qudratullah Razwan/EPA/EFE)

A woman reacts to having leaves thrown on her, while taking a photo, in Central Park as leaves begin to change colors on October 26, 2022 in New York City. Leaves around parts of Central Park have begun changing colors while much of Long Island and Upstate New York have already peaked. (Photo by Alexi Rosenfeld/Getty Images)

The Indian community and supporters living in Brazil celebrate the festival of colors in Sao Paulo, Brazil on March 24, 2024. A Burst of Colors and Tradition Holi, characterized by vivid hues, gulaal, and rituals, transcends mere festivity; it's a grand jubilation of joy and camaraderie. Legend has it that the festival commemorates the triumph of Lord Narasimha over the demon Hiranyakashyap, representing the victory of righteousness over malevolence. (Photo by Dario Oliveira/ZUMA Press Wire/Rex Features/Shutterstock)

There's something inherently Ghibli-esque about Chong FeiGiap's beautiful paintings, capturing that sense of wonder typically present in the best animes the studio had to offer, as well as a dash of Tekkon Kinkreet's amazingly colorful, complex cities.

Hyperrealism with pencil by Karla Mialynne. Her impressing paintings are mostly created with watercolor pencils, colored markers and acrylic paint.

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.