People protect themselves behind a trash can as anti-riot olice fires water cannon to disperse thousands of people demonstrating following the death of Berkin Elvan, a teenage boy wounded in mass anti-government demonstrations last year, on March 11, 2014 near the Middle East Technical University (ODTU) in Ankara. Elvan's story – he spent 269 days in a coma – gripped the nation and became a symbol of the heavy-handed tactics used by police to reign in the biggest demonstrations against Prime Minister Recep Tayyip Erdogan since he came to power in 2003. (Photo by Adem Altan/AFP Photo)

A man runs away during a police round up of suspected drug addicts in Kabul, Afghanistan December 27, 2015. Afghan officials have opened a new drug treatment centre in an abandoned NATO military base in Kabul, in the latest attempt to stamp out the country's massive problem of drug abuse. Camp Phoenix, a former training camp on the edges of Kabul set up by the U.S. army in 2003, will take in around 1,000 homeless drug addicts who will receive food, medical attention and treatment, said Public Health Minister Ferozuddin Feroz. (Photo by Ahmad Masood/Reuters)

Debri is shown scattered in the carpark of the Albany MegaCentre after a tornado struck the area on May 3, 2011 in Auckland, New Zealand. At least one person has been confirmed dead and there were several people injured after the tornado struck around 3pm.

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

A girl walks in front of a graffiti painted on the wall of a house located inside the 15th-century complex built by Mameluk Sultan al-Ashraf Qaitbey, in Cairo's City of the Dead, Egypt February 13, 2017. (Photo by Amr Abdallah Dalsh/Reuters)

Alessandra Ambrosio arrives for the screening of “The Dead Don't Die” and the Opening Ceremony of the 72nd annual Cannes Film Festival in Cannes, France, 14 May 2019. Presented in competition, the movie opens the festival which runs from 14 to 25 May. (Photo by Ian Langsdon/EPA/EFE)