Indian boy Hassan Malik works in a leather shoe factory at Topsia in Calcutta, eastern India, 19 November 2013. The leather industry occupies an important place in the Indian economy. It is an employment intensive sector with a vast potential for growth and exports but also a pollution intensive industry that relies on cheap labor. One of the major production centers for leather and leather products is located in Calcutta, West Bengal. Hundreds of tanneries are operated in the city’s Tiljala, Topsia and Tangra districts. They are mostly run by local families living and working under poor conditions. (Photo by Piyal Adhikary/EPA)

A work by Chinese artist ROBBBB is seen on a wall in the ruins of a building in Beijing September 27, 2015. The 25-year-old artist in Beijing prefers to display his work on the walls of abandoned buildings, rather than a gallery. His artwork is mostly derived from photos of people he sees in the Chinese capital, anyone ranging from elderly people to construction workers. (Photo by Jason Lee/Reuters)

Photographer Pierre-Louis Ferrer shows viewers the beauty of France in a whole new light, shooting the country in beautiful infrared. Ferrer’s images are as enchanting as they are intriguing, displaying a whole new variation of color in shrubs, grass and trees, as well as famous landmarks. In some of Ferrer’s works, the foliage is an eye-catching canary yellow – a stark contrast to the more normal shades in the remainder of the images. In other works, whole forests glow red, giving the French countryside an otherworldly look. (Photo by Pierre-Louis Ferrer/Caters News Agency)

Stunning images show the rolling splendor of the "iceberg capital of the world" under auroras. The photographer even includes himself in many of the shots – a signature of his that offers a fresh take on the conventional selfie, as well as providing a sense of scale to his works. Ziskas shot the photographs over a 10-day visit to western Greenland in September. Here: the photographer even includes himself in many of the shots – a signature of his that offers a fresh take on the conventional selfie, as well as providing a sense of scale to his works. (Photo by Paul Zizkas/Caters News)

Rope access technicians carry out maintenance service on wind turbines including repairs, blade inspections and cleaning in Izmir, Turkey on February 19, 2021. In Turkey, where investments in renewable energy has increased, there are wind tribunes over 3,500. (Photo by Mahmut Serdar Alakus/Anadolu Agency via Getty Images)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.