A policewoman uses a tissue during a protest to mark the International Day for the Elimination of Violence Against Women, in Mexico City, Mexico on November 25, 2021. (Photo by Raquel Cunha/Reuters)

Abigail Doyle from St David's Holy Faith Secondary School, Greystones, modeling her Alice in Wonderland themed outfit designed for the Upcycled category of the An Taisce Green-Schools Let's Fix Fashion catwalk event in Cashel, Ireland on May 4, 2023. (Photo by Diarmuid Greene/The Irish Times)

Nose to Nose; Human/Nature winner. “Doug Gimesy was documenting work at the Joey and Bat Sanctuary near Melbourne when he met a wombat (Vombatus ursinus) whose mother had been killed by a car. Gimesy watched as a young veterinary student bottle-fed the orphaned joey, then touched her nose to the joey’s in a tender moment of interspecies bonding”. (Photo by Doug Gimesy/BigPicture)

A boat transports Pirarucu fish to a processing ship, in the San Raimundo settlement lake, in Carauari, Brazil, Tuesday, September 6, 2022, published November 3. The giant fish not so long ago nearly vanished. The illegal and unsustainable fishing left river and Indigenous communities struggling to catch their staple food. (Photo by Jorge Saenz/AP Photo)

A damselfly sits on a leaf at a garden in Nagaon district in the northeastern state of Assam, India, on October 3 , 2023. (Photo by Anuwar Hazarika/NurPhoto/Rex Features/Shutterstock)

Myanmar civil security personnel escort an eight-metre tall wicker puppet from the French cultural group L'Homme Debout during a parade in Yangon city's Dala township on December 2, 2016 to mark the opening of the Mingalabar Festival. (Photo by Romeo Gacad/AFP Photo)

Ma Jiaqi, 5, and her mother arrive at Beijing Railway Station for their train to Changchun of Jilin province, in Beijing, China, January 25, 2016. According to traffic police, over 2.9 billion trips will be made around China during the 40-day Spring Festival travel rush, which started on January 24. (Photo by Jason Lee/Reuters)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)