Family Donation by Si Thu Ye Myint (Myanmar, Winner). Myin Twin village in upper Myanmar. (Photo by Si Thu Ye Myint/Sony World Photography)

Photographer Logan Zillmer took this photo of the harvest moon above a corn field as part of his “Traveler” series on Flickr. (Photo by Logan Zillmer)

Protesters a demonstration of the LGTBI collective in Madrid on November 20, 2021 against the rise of the fascism in the society and in support of the new transgender law in Spain. (Photo by Celestino Arce Lavin/ZUMA Press Wire/Rex Features/Shutterstock)

In a photo taken on November 27, 2016 a female traffic police officer directs traffic on a road in Pyongyang. Believed to be hand-picked for their looks, Pyongyang's female traffic police are a familiar sight at intersections around the capital, where traffic volumes have noticeably increased in recent years. (Photo by Ed Jones/AFP Photo)

One hundred artists were given an opportunity to uniquely redesign 100 phone booths in São Paulo. The result is beyond all expectations. One hundred completely useless or just vandalized booths were transformed into incredible works of art.

Work: Live Connected
Artist: Juarez Fagundes
Address: Avenida Paulista, Parque Trianon – opposite the park

A portrait of French WWI soldier Edouard Marius Ivaldi is displayed on a tablet, in this illustration picture, alongside his battlefield grave memorial, a wooden cross with a battlefield helmet in Champagne, eastern France, November 3, 2015. (Photo by Charles Platiau/Reuters)

Capybaras bathe in the hot spring water at the Saitama Children's zoo in Higashi Matsuyama city, Saitama prefecture on December 25, 2013. 13 capybaras in the zoo, originally from South America, enjoyed the hot spring water. (Photo by Toshifumi Kitamura/AFP Photo)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)