Mali supporters cheer ahead of the Group F Africa Cup of Nations (CAN) 2021 football match between Mali and Mauritania at Stade de Japoma in Douala on January 20, 2022. (Photo by Charly Triballeau/AFP Photo)

Women activists wearing veils gather at during a rally organised by the collective #NousToutes against feminicides at Place du Pantheon in Paris on October 9, 2022. (Photo by Julien de Rosa/AFP Photo)

A man wades through a water-logged road after rains ahead of Cyclone Yaas at Digha in Purba Medinipur district in the eastern state of West Bengal, India, May 26, 2021. (Photo by Rupak De Chowdhuri/Reuters)

A volunteer feeds a swift chick after it was found on the ground during a heatwave and given to the Centre Ornithologique de Readaptation in Genthod near Geneva, Switzerland on July 25, 2023. (Photo by Denis Balibouse/Reuters)

Norwegian actress Renate Reinsve attends the “Armand” Photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 18, 2024 in Cannes, France. (Photo by Lionel Hahn/Getty Images)

Jesus Christ The Redeemer is seen during sunrise in Rio de Janeiro, Brazil August 2, 2016. Christ the Redeemer is an Art Deco statue of Jesus Christ in Rio de Janeiro, Brazil, created by Polish-French sculptor Paul Landowski and built by the Brazilian engineer Heitor da Silva Costa, in collaboration with the French engineer Albert Caquot. The face was created by the Romanian artist Gheorghe Leonida1. (Photo by Kai Pfaffenbach/Reuters)

A child, from Municipal school Parana, poses during the project “Fencing School” in Rio de Janeiro, Brazil, March 30, 2016. Children in Rio de Janeiro lift their sights and their swords to new idols, as a round of fencing workshops takes to public schools. The International Fencing Federation, together with the Brazilian and state federations, will reach 40 public schools in March and April. The aim is to whip up a following for the Olympic sport, little known in the soccer-mad nation, as Rio sets the stage for the Summer Games in August. (Photo by Sergio Moraes/Reuters)

Zulmira Jesus poses for a portrait at a street in Povoa de Agracoes, near Chaves, Portugal April 19, 2016. In the villages of Agracoes and Povoa de Agracoe, the steady drip-drip of emigration has brought down population numbers from more than 50 residents to fewer than a dozen each. These remaining villagers share the same glum acceptance that, after they have gone, their villages will die out too. It is the same desolate picture in scores of other backwater settlements in Portugal's interior, north to south. (Photo by Rafael Marchante/Reuters)