A woman wearing a mask takes a selfie as she paddles underneath a bridge with colourful lights along a canal, Friday, July 1, 2022, in Beijing. (Photo by Ng Han Guan/AP Photo)

Women in Pathein, Myanmar, construct in the last decade of August 2024 parasols that they will paint in vibrant colours to sell in nearby markets. (Photo by Nantapon Pattamakijsakul/Solent News)

Devotees of International Society for Krishna Consciousness (ISKCON) celebrate Holi, the Hindu spring festival of colours, at a temple on the outskirts of Amritsar on March 13, 2025. (Photo by Narinder Nanu/AFP Photo)

Fishermen repair brightly coloured nets before their next trip to the River Matla in West Bengal, India in the last decade of July 2025. (Photo by Avishek Das/Solent News & Photo Agency)

“The Qassam rocket is a simple steel artillery rocket developed and deployed by the Izz ad-Din al-Qassam Brigades, the military arm of Hamas. Three models have been produced and used between 2001 and 2011”. – Wikipedia

Photo: A rocket, similar to the Al-Qassam rockets used against Israeli is prepared for launch as new members of the Islamic Jihad fighters show their skills as they attend a military show in the former Israeli jewish settlement of Atsmona September 26, 2008 in Rafah, southern of Gaza Strip. (Photo by Abid Katib/Getty Images)

In this January 12, 2015 photo, a wall of collectable sneakers are displayed at Sneaker Pawn in the Harlem section of New York. Basketball sneakers can re-sell for hundreds of dollars, depending on the model, the size of the production run and how easy it is to find a pair in good condition. (Photo by Seth Wenig/AP Photo)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)