People look at the paintings depicting Russian president Vladimir Putin dressed as Father Frost, Russian equivalent of Santa Claus, at the “SUPERPUTIN” exhibition at UMAM museum in Moscow, Russia on December 6, 2017. (Photo by Maxim Shemetov/Reuters)

A group of PETA supporters protest Canada Goose's use of coyote fur, with “Canada Goose Kills” painted on their backs in New York, USA on October 18, 2018. (Photo by Erik Pendzich/Rex Features/Shutterstock)

A Sudanese girl with half painted face watches as protesters demonstrate outside the defense ministry compound in Khartoum, Sudan, April 25, 2019. (Photo by Umit Bektas/Reuters)

People watch participants, whose faces are painted as popular Mexican figure “Catrina”, during the annual Catrina Fest, part of Day of the Dead celebrations, in Mexico City, Mexico, November 2, 2016. (Photo by Edgard Garrido/Reuters)

A photo provided by the Atlanta Journal-Constitution shows Atlanta police officer T. R. Coxe removing painted material of a large swastika featuring a likeness of Republican presidential candidate, Donald Trump, along the northbound Buford Highway Connector just south of the Piedmont exit, in Atlanta, Georgia, USA, 09 December 2015. Just days after Donald Trump's call to ban Muslims from entering the United States, someone painted large swastikas featuring the Republican presidential candidate's face on at least two northeast Atlanta bridge supports. The symbol, which includes a cartoon of Trump sporting a Hitler-like mustache, was painted along the Buford Highway Connector. A second, similar image was found on a concrete bridge support on nearby Piedmont Road. Trump said in a statement released on 07 December that there should be a total and complete shutdown of Muslims entering the United States. (Photo by John Spink/EPA/AJC)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

A woman walks past a painting by Jenny Saville entitled “Red Stare Head IV” on display in the Royal Academy of Arts' Summer Exhibition on June 2, 2011 in London, England. The Summer Exhibition is the world's largest open submission contemporary art show, now in its 243rd year, with over 12,000 entries received from 27 countries. The exhibition features over 1100 works of art including: painting, sculpture, photography, architecture and film, it officially opens to the public on June 7, 2011. (Photo by Oli Scarff/Getty Images)