In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)

Fascinated by the texture and color of water artist Elizabeth Patterson challenged herself to recreate the absurdly complex formation of water droplets on rain-streaked windshields. Her ongoing series titled Rainscapes blends drawing, hyperrealism, and traditional landscape techniques resulting in images that can be seen as both real and abstract.

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

LG Chile has continued the So Real It’s Scary campaign developed at Superheroes, Amsterdam, with their own prank, “Ultra Reality: What would you do in this situation?” The video shows an office set up with an 84 inch HD television screen which appears to be a window frame. Job seekers arrive for their interview but freak out when they see what appears to a meteor destroying the city through the window.

Visitors look at a plastinated gorilla on the opening day at the Body World Animals exhibition at the Cologne Zoo on April 15, 2011 in Cologne, Germany. The exhibition is by Gunther von Hagens, who uses a special process to preserve real bodies, whether animal or human, in order to display the inner organs, muscles and other physical elements. The exhibition will be open to the public until September 30.

Bangladeshi Muslims travel on the roof of an overcrowded train as they head to their hometowns ahead of Eid al-Adha in Dhaka, Bangladesh, Friday, September 1, 2017. The festival commemorates the story of Abraham and his readiness to sacrifice his son as an act of obedience to God, who provided a lamb to be used instead. (Photo by Bernat Armangue/AP Photo)

Doctor Boaz Zissu of the Bar Ilan University shows the inscription on a 2,000-year-old ossuary at the Rockefeller Museum on June 30, 2011 in Jerusalem, Israel. The Israel Antiquities Authority have confirmed the credibility of the ancient ossuary, otherwise known as a stone chest in which to store bones, as bearing the name of a relative of the high priest Caiaphas from the New Testament. Laboratory tests have come back saying that the inscription with the name of “Miriam daughter of Yeshua son of Caiaphas, priest of Maaziah from Beth Imri” is both “genuine and ancient”. (Photo by Uriel Sinai/Getty Images)