The blog Terrible TV Art is dedicating to Photoshopping the faces of TV and movie characters to cartoonish proportions.

The Rogz Grinz Ball Dog Toy is a fun creation by South African Porky Hefer Design. The bounce and fetch toy will turn your dog´s mouth into an hilarious ear-to-ear grin, just like Milo dog from the movie “The Mask”. The toy can be stuffed with your dogs favorite treats and floats nicely on the water.

Sony is marketing the remake of the Stephen King horror movie Carrie with with “Telekinetic Coffee Shop Surprise”, a prank video set in a New York cafe. Viral marketing firm ThinkModo shot the film over two days in ‘sNice cafe on 8th Ave, New York, with actors posing as customers. As people wandered in off the street for their coffee, stuntman Travis Gravis spilled coffee on a laptop belonging to actress Andrea Morales.

The 37-year-old French artist Anne-Catherine Becker Echivard’s latest artworks were inspired by the silent movies of Charlie Chaplin and Buster Keaton; she uses real-life smelly fish heads as her models for some photos that depict everyday life to address topics.

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

An operator adjusts a film projector during a wedding party in Bogor, Indonesia, February 18, 2017. Indonesian entrepreneur Kamaluddin loves the gritty look of old 35-millimeter film so much that he spends most of his nights screening vintage movies at weddings and parties around Jakarta, the capital. (Photo by Reuters/Beawiharta)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.