Norwegian tennis player Jenny Stray Spetalen arrives for the screening of the film “Le Comte de Monte-Cristo” (The Count of Monte-Cristo) at the 77th edition of the Cannes Film Festival in Cannes, southern France, on May 22, 2024. (Photo by Yara Nardi/Reuters)

A ballet dancer poses in a giant plastic bubble as she entertains Christmas shoppers in Melbourne on December 13, 2020. (Photo by William West/AFP Photo)

Charlene Wittstock (L) and Prince Albert II of Monaco (R) attend the singles Final match between Rafael Nadal of Spain and Roger Federer of Switzerland on day nine of the Monte Carlo Masters Series tennis tournament. (Photo by Pascal Le Segretain/Getty Images). 2008

British professional tennis player Emma Raducanu after she was made a MBE (Member of the Order of the British Empire) by King Charles III at Windsor Castle on November 29, 2022 in Windsor, England. (Photo by Andrew Matthews – WPA Pool/Getty Images)

There is something strangely appealing about the set of pictures created by Sandro Giordano in a series “In Extremis (Bodies With No Regret)”. Could it be the absurdity of the situation? Or the fact that our brain tries to make up some bizarre story to justify what is happening in the pictures? Of course it is impossible to explain why a pair of tennis players ended up lying flat on the ground with a pack of bananas hanging on the net, even if we forget about the tennis racket lodged in the neck of one of the players. Nevertheless, it is fun to recreate these scenes in your mind just seconds before the tragedy took place. (Photo by Sandro Giordano)

Russia's Andrey Rublev tries to remove a cricket from the court during the men's singles match against USA's Sebastian Korda on day six of the Australian Open tennis tournament in Melbourne on January 19, 2024. (Photo by David Gray/AFP Photo)

Australia's Matthew Ebden, left, and Jordan Thompson celebrate their victory against Tommy Paul and Ben Shelton of the United States, during their doubles tennis quarterfinal Davis Cup match at the Martin Carpena Sports Hall, in Malaga, southern Spain, on Thursday, November 21, 2024. (Photo by Manu Fernandez/AP Photo)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)