Models wear creations as part of the Dolce & Gabbana women's Spring Summer 2023 collection presented in Milan, Italy, Saturday, September 24, 2022. (Photo by Antonio Calanni/AP Photo)

Visitors look at the work titled “In Bed”, 2005 by Australian-born artist Ron Mueck at Triennale di Milano on January 09, 2024 in Milan, Italy. (Photo by Giuseppe Cottini/Getty Images)

A model presents a creation from the Dolce & Gabbana Fall/Winter 2024 collection during Fashion Week in Milan, Italy, on February 24, 2024. (Photo by Claudia Greco/Reuters)

“I bought my first dlsr camera in 2009 may. The first part of my life is gone but the other i dedicate to photography. If i try to imagine myself, i saw someone on the road, who walking straight to the light. This kind of light is the photography and the post-processing in my life. My pictures express the feelings, moods what i felt under my trip in the last few years”. – Ildiko Neer

Photo: “Path to the shine”, 2011. (Photo by Ildiko Neer)

Naga Sadhus or Hindu holy men, smeared with ash, drink tea inside their makeshift camps near the confluence of river Ganges and the Bay of Bengal, ahead of Makar Sankranti festival at Sagar Island, south of Kolkata January 13, 2015. Hindu monks and pilgrims are making their annual trip to Sagar Island for the one-day festival of “Makar Sankranti” on Wednesday. (Photo by Rupak De Chowdhuri/Reuters)

“A Hawaiian photographer braved freezing temperatures for this cold SNAP – of what appears to be a firebird bursting from an aurora. Keen snapper CJ Kale, more used to sun, sea and sand while at work than snow, captured the incredible moment while on a trip to Alaska. It was his first time seeing the spectacular sight and lucked out – capturing some of the rarest colors of aurora on his first night”. – Caters News

Cylists hang to the back of a truck outside the capital Bujumbura, July 19, 2015, as the country awaits next week's presidential elections. Each day scores of cyclists make the 45 kilometer downhill journey at breakneck speed from Bugarama to sell bananas, often hanging from the back of trucks for the return uphill trip. (Photo by Mike Hutchings/Reuters)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.