Mazouza Bouglada, 86, a berber woman from the Chaouia region, who has facial tattoos, poses for a photograph in Taghit in the Aures Mountain, Algeria October 8, 2015. Bouglada was tattooed aged 7 by a nomadic man from the Sahara region. She was advised by her mother to get tattooed. The more she got tattooed the more she showed off. Even if she still remembers the pain, she felt beautiful once it was done, Bouglada said. She was very proud of her stars on her cheeks. Her eldest sister had been tattooed before her and she wanted to imitate her. Bouglada said she has now given away all her silver jewellery to atone for the sin that believers told her she had committed by being tattooed. (Photo by Zohra Bensemra/Reuters)

“Yunarmiya” (Young Army) All-Russia National Military Patriotic Social Movement Association members compete during the 7th military-patriotic game “Yunarmiya, forward!” dedicated to Victory Day at the Museum-reserve “Gorki Leninskie” in Gorki Leninskie, Russia, 29 April 2025. A total of 160 teams of Yunarmiya and military-patriotic detachments attended the games, each team consisting of seven people aged between 12 and 17 years old. The games are a continuation of the Soviet military-sports competitions for children and teenagers, “Zarnitsa” (since 1967) and “Orlyonok (Eaglet)” (since 1972). (Photo by Sergei Ilnitsky/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Are you a fan of beards? If you are, have you ever thought that it might look like some sort of furry animal? David Kiefaber thought of the same thing when he participated in the “Free Your Skin” campaign, organized by Y&R New Zealand. You might think that you look all rugged and manly while wearing that luscious beard. But in reality, you simply look like a guy with a dead squirrel on his face. Or a raccoon… if you’re a greying middle-aged man. Hopefully, you’re not one of those people whose beard looks and/or smells like a skunk.

Kieron Williamson (born 4 August 2002) is a watercolour artist from Holt, Norfolk in England. His paintings and ability by the age of six have caused considerable interest in the UK media and are notable for his advanced use of perspective and shading. He has been described as a prodigy, and at his second exhibition in 2009, his paintings sold out in 14 minutes, raising a total of £18,200 for 16 paintings. A subsequent exhibition in Holt in July 2010 saw his paintings all sold within 30 minutes, at a total value of £150,000

Monks take pictures with their mobile phones of the mummified body of a monk at Puzhao temple in Quanzhou, Fujian Province, China, January 10, 2016. According to local media, the monk named Fuhou died three years ago at the age of 94 and his remains was placed in a vat and turned into a mummy as a sign of respect. (Photo by Reuters/Stringer)