Hyper realistic flesh-like objects created by Masataka Shishido, also known as DJ Doooo, are displayed at his home, during a photo opportunity in Kawasaki, south of Tokyo, Japan on January 26, 2023. (Photo by Kim Kyung-Hoon/Reuters)

Two scavengers collect plastics in the Citarum river in Bandung, West Java on March 28, 2023. (Photo by Timur Matahari/AFP Photo)

A woman takes part in a carnival parade as part of New Year's Eve festivities in San Jose, Costa Rica, 27 December 2023. (Photo by Jeffrey Arguedas/EPA/EFE)

A spotless GWR (Great Western Railway) locomotive, the “Royal Sovereign” waiting to carry Queen Victoria's coffin. (Photo by Hulton Archive/Getty Images). 28th January 1901

A replica of the truck made from matchsticks by Janusz Urbanski is pictured at his flat in Ruda Slaska, Poland May 4, 2016. Janusz Urbanski has a one of a kind chessboard he never plays, a personalised guitar he does not strum and a boat he cannot sail. Why? They are all made from tens of thousands of matches. For the last 40 years, the former Polish miner and ironworker has harboured a passion to build replicas of objects, buildings and famous sites with just matchsticks and glue. (Photo by Kacper Pempel/Reuters)

A visitor is dwared between the wheels of BelAZ 450-ton dump truck (L) and BelAZ 360-ton dump truck (R) at the plant of Belarusian manufacturer of heavy trucks and equipment for earthmoving, BelAZ, in Zhodino, some 55 km from Minsk, Belarus, 27 August 2019. The company mostly delivers its products to CIS mining companies, mainly from Russia and Ukraine. (Photo by Tatyana Zenkovich/EPA/EFE/Rex Features/Shutterstock)

Papier-mache sculptures, also known as “ninots”, burn during the “Nit de la Crema” (Fire Night) of the Fallas Festival in Valencia, eastern Spain, 19 March 2024. Fallas is a fortnight-long fiesta in which installations of parodic papier-mache, cardboard, and wooden sculptures are traditionally burnt every year on the last day of the event in the so-called “Crema” to end the festivities. (Photo by Biel Alino/EPA/EFE)

“Michael Jackson, the performer, consistently transcended racial and gender perceptions; Michael Jackson tribute artists, impersonators and lookalikes reflect this in that they embody a wide span of inspiration and intention. The current crop of impersonators are people who take great care in their appearance – some spend a lot of money and time on their make up and clothing, while others are more concerned with the physical gestures associated with his dances while expressing very little concern in the creation of an illusion”. – Lorena Turner. (Photo and caption by Lorena Turner)