CHALLOCK, ENGLAND - MARCH 31: Tony Hall walks with his dog through an installation entitled 'Super Kingdom', which hangs in trees in King's Wood as part of the Stour Valley Arts project on March 31, 2011 in Challock, England. The works by artists Bruce Gilchrist and Jo Joelson of 'London Fieldworks' consist of a series of interesting animal habitats, modelled on the palaces of Stalin, Ceauscescu and Mussolini, and offer nesting sites to many native and migrant species. (Photo by Dan Kitwood/Getty Images)

“The western or lowland bongo is a herbivorous, mostly nocturnal forest ungulate and among the largest of the African forest antelope species. Bongos are characterised by a striking reddish-brown coat, black and white markings, white-yellow stripes and long slightly spiralled horns”. – Wikipedia

Photo: The one month old newborn Bongo Antelope Calf ventures out in the cold with his mother in their enclosure at London Zoo on December 9, 2005 in London, England. (Photo by Christopher Lee/Getty Images)

Mosaïcultures Internationales de Montréal is an international mosaiculture competition held in Montréal, Canada. According to their website, mosaiculture “is a refined horticultural art that involves creating and mounting living artworks made primarily from plants with colourful foliage (generally annuals, and occasionally perennials).” The 2013 competition and exhibition opened June 22 and runs through September 29 at the Montréal Botanical Garden and features some 22,000 plant species and cultivars distributed throughout 10 exhibition greenhouses and 30 themed gardens.

A Sumatran Tiger looks at visiting children from it's enclosure during the ZSL London Zoo's annual stocktake of animals on January 5, 2015 in London, England. The zoo's annual stocktake requires keepers to check on the numbers of every one of the 800 different animal species, including every invertebrate, bird, fish, mammal, reptile, and amphibian. (Photo by Dan Kitwood/Getty Images)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)

In this July 12, 2007 file photo, a two-day-old piping plover runs along a beach in the Quonochontaug Conservation Area in Westerly, R.I. (Photo by Steven Senne/AP Photo)