Young revelers take part in a parade called "La Calabiuza" on November 1, 2015, on the eve of the Day of the Dead in Tonacatepeque, 20 kms (13 miles) north of San Salvador. During the celebration, the residents of Tonacatepeque, originally an indigenous community, recall the characters from the mythology of Cuscatlan – pre-Columbian west and central regions of El Salvador – and their dead relatives. (Photo by Marvin Recinos/AFP Photo)

People celebrate the traditional Fiesta de las Aguedas on February 6, 2022 in Andavias, Zamora, Castilla y Leon, Spain. This celebration, also known as “El dia de las mujeres”, is a deep-rooted tradition in Castilla y Leon, especially in rural areas. The day of the Aguedas has its origin in the cult of Santa Agueda, and is celebrated every February 5. (Photo By Emilio Fraile/Europa Press via Getty Images)

People take part in the “The Burial of the Sardine” funeral procession, which marks the end of carnival festivities, in Madrid, Spain, February 10, 2016. “Mourners” carry a coffin with a mock sardine through the streets to celebrate the countdown to Lent. Spanish painter Francisco de Goya's painting “El entierro de la sardina” (The Burial of the Sardine) was inspired by this tradition, which started in Madrid in the 18th century, around the time of Spanish King Carlos III. (Photo by Juan Medina/Reuters)

Graffiti saying “justice” partially seen above flood waters in Asuncion, December 27, 2015. More than 100,000 people have had to evacuate from their homes in the bordering areas of Paraguay, Uruguay, Brazil and Argentina due to severe flooding in the wake of heavy summer rains brought on by El Nino, authorities said on Saturday. (Photo by Jorge Adorno/Reuters)

Nino, a ten-year-old toreador apprentice of the French Tauromachy Centre, nicknamed El Nino, touches a practice bull at the bullring of Garons, near Nimes, September 25, 2013. Since 1983, the French Tauromachy Centre in Nimes has trained some 1,000 youths in the art of bullfighting. Twenty of them have gone on to become professional matadors, facing fighting bulls in the arena. Twice a week, students take courses with a matador to learn the movements and gestures of the bullfighter in the ring, but without an animal present. Students train with calves in the surrounding fields during spring, and regularly participate in beginner's bullfights (becerradas) without killing calves. Solal has been taking courses for three years and Nino, for just a year now. Both are normally enrolled in French public schools, but have one thought in mind – bullfighting. They share a passion linked to the city of Nimes, famous for its ferias and bullring. (Photo by Jean-Paul Pelissier/Reuters)

A tear rolls down the cheek of Karima el-Mahroug, also known as Ruby, a Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial, as she reads a statement to reporters during a protest outside the court house, in Milan, Italy, Thursday, April 4, 2013. The Moroccan woman at the center of ex-Premier Silvio Berlusconi's s*x-for-hire trial has denounced what she says is psychological warfare being waged against her by Italian prosecutors. Ruby, read out a lengthy statement Thursday to a gaggle of reporters in front of Milan's courthouse denying she was a prostitute and insisting that prosecutors hear her side of the story. (Photo by Luca Bruno/AP Photo)

A sugar cane worker poses while working in a field at Pakchong district in Ratchaburi province, Thailand March 22, 2016. The El Nino weather phenomenon has played havoc with crops across Southeast Asia and beyond. Thailand, the world's second-largest sugar exporter, will ship 20 percent less of the sweetener to international markets this year than last, and farmers fear the damage already inflicted on young cane plants could make next year worse. (Photo by Jorge Silva/Reuters)

A sculptural artwork depicting former Chilean dictator Augusto Pinochet and headless presidents shot by a hooded high school student (not pictured) is seen at the Contemporary Art Museum in Santiago, December 2, 2014. The artwork, part of the “El ladrillo angular” (The angular brick) exhibition, portrays a student fighting against the ongoing continuity of dictatorship because of a political and economic system which has been impossible to destroy, according to “Papas Fritas” the artwork's creator. (Photo by Ivan Alvarado/Reuters)