In this Friday, March 28, 2014 photo, singers of the Moranbong Band, Jong Su Hyang, foreground, and Pak Mi Kyong, left perform on their stage in Pyongyang, North Korea. Step aside, Sea of Blood Opera. North Korean leader Kim Jong Un's favorite guitar-slinging, miniskirt-sporting girl group, the Moranbong Band, is back. And these ladies know how to shimmy. (Photo by Jon Chol Jin/AP Photo)

A member of Korean Federation for Environmental Movement in a Santa Claus outfit attaches dumped cigarette butts at a cigarette butt Christmas tree in front of Korea Tobacco & Ginseng Corporation office in Seoul, South Korea, Monday, December 23, 2019. The environmental activist group called for a ban on the use of plastic for cigarette filters as part of efforts to protect the environment from toxic plastic pollution. (Photo by Ahn Young-joon/AP Photo)

In a photo taken on April 2, 2020 a staff member feeds a raccoon at the Table A Raccoon Cafe in Seoul. Business has been devastated by the coronavirus outbreak, with South Koreans staying at home under social distancing guidelines, and tourism disappearing. But unlike other firms, animal cafes have to stay open so that staff can look after their stock. (Photo by Ed Jones/AFP Photo)

South Korean traditional bow artisan Kwon Yeong-Hak works on a bow in his workshop in Yecheon-gun, Gyeongsangbuk-do, South Korea, 26 February 2015. Kwon Yeong-Hak still crafts his bows in the traditional way, carrying on a four-generation family business. The Gakgung bow, of which Kwon is one of the last remaining artisans, is unique to Korea, and is constructed with a variety of materials, including water buffalo horn, oak, bamboo and cattle spinal sinew. A ban on the import of water buffalo horns has put the Gakgung tradition at risk. (Photo by Jeon Heon-Kyun/EPA)

Up to 35% of Mongolians still live a nomadic life, depending on their land to survive. But environmental changes, particularly desertification, means this way of life is under threat. Korean photographer Daesung Lee’s Futuristic Archaeology images show billboard-size backdrops of lush steppe contrasting with actual scenery as former nomads enact scenes of hunting, herding and Mongolian wrestling. (Photo by Daesung Lee)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)

North Korean girls in similar bathing suits stand under a shower at the Songdowon International Children's Camp, Tuesday, July 29, 2014, in Wonsan, North Korea. The camp, which has been operating for nearly 30 years, was originally intended mainly to deepen relations with friendly countries in the Communist or non-aligned world. But officials say they are willing to accept youth from anywhere – even the United States. (Photo by Wong Maye-E/AP Photo)