A man passes a poster depicting French presidential election candidate for the far-right Front National (FN) party Marine Le Pen with the face of U.S. President Donald Trump reading “Do not Trump yourself. Choose France. Vote!” on May 5, 2017 in Paris. (Photo by Joel Saget/AFP Photo)

Members of the Unidos da Tijuca samba school parade at the “Opening of Carnival 2022” event, at the Cidade do Samba, in Rio de Janeiro, Brazil, 27 February 2022. The event is a preview of the parades of the Samba Schools of the Special Group, postponed to April due to the COVID-19 pandemic in Brazil. (Photo by Andre CoelhoEPA/EFE)

Vitoria Bueno, a 16-year-old dancer whose genetic condition left her without arms, poses for a picture in her neighborhood in Santa Rita do Sapucai, Brazil, February 7, 2021. (Photo by Ueslei Marcelino/Reuters)

A pitch invader tries to get through to Cristiano Ronaldo of Portugal during the UEFA Nations League 2024/25 League A Group A1 match between Portugal and Scotland at Estadio do SL Benfica on September 8, 2024 in Lisbon, Portugal. (Photo by Pedro Nunes/Reuters)

Big wave surfers on their jet skis in front of a surf of a huge wave on the rock of Sao Miguel Arcanjo fort and Nazare lighthouse during a surfing session at Praia do Norte on January 27, 2025 in Nazare, Portugal. (Photo by Stefan Matzke - sampics/Corbis via Getty Images)

Nathan Sawaya is a New York-based artist who creates awe-inspiring works of art out of some of the most unlikely things. His recent global museum exhibitions feature large-scale sculptures using only toy building blocks. LEGO bricks to be exact. Photo: “Blue man sits in chair”. (Photo by Nathan Sawaya/The Art of the Brick)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.