Polish artist Agnieszka Pilat poses with the artwork of her robot painting dogs – Basia Spot and Bunny Spot – who have become artists painting on canvases with their paws, at the launch of the National Gallery of Victoria (NGV) Triennial 2023 in Melbourne on April 5, 2023. Pilat works with the Boston Dynamics dogs, training them to paint autonomously through AI technology individually and collaboratively, and will be part of more than 100 local and international artists, designers and collectives presenting at the exhibition opening in December. (Photo by William West/AFP Photo)

A woman dressed in a cheongsam interacts gracefully with vibrant fish lanterns at Kwai Chai Hong, a heritage revival alley in Chinatown, on January 09, 2025, in Kuala Lumpur, Malaysia. Kwai Chai Hong celebrates the Lunar New Year with an immersive art installation titled Bountiful Blessings, inspired by the idiom “Nian Nian You Yu”, which translates to “Wishing an Abundance Year After Year”, blending traditional fish lanterns with modern lights to inspire abundance and prosperity, inviting visitors to embark on a cultural journey of generosity and abundance for future generations. (Photo by Annice Lyn/Getty Images)

Women wear the traditional costume of the Alto Tio Diego carnival during the Women's Afro-Mestizo Carnival of Alto Tio Diego on February 11, 2024 in Veracruz, Mexico. Alto Tio Diego is a small town near the State capital Xalapa where every year inhabitants celebrate their traditional carnival. Women of the town demanded a special day for them to parade and few years ago, they started to do it by walking through the streets wearing traditional costumes and masks (mostly of animals) but the attires have evolved to more modern characters. (Photo by Hector AD Quintanar/Getty Images)

“Bombay’s once ubiquitous Premier Padmini taxis were introduced in the 60s and are dwindling at an alarming rate. This follows a decree banning vehicles over 25 years old from the streets to be replaced with “modern alternatives”. In a few years these iconic workhorses will be gone from Bombay’s streets altogether. It is important to capture this before it disappears and I see the road wallah's cabs as the time capsules that allow me to do this”. – Dougie Wallace, Bombay India, March, 2013. (Photo by Dougie Wallace)

“The Volkswagen Microbus Concept Car (also known as the Volkswagen New Microbus and Volkswagen Microbus Concept) was a concept car recalling the original Volkswagen Microbus and first presented at the 2001 North American International Auto Show. The new Microbus was completely modern compared to its predecessor, featuring a 7-inch screen in the center console and a second ceiling-located 7-inch screen that allowed the driver to see behind the vehicle”. – Wikipedia

Photo: A Volkswagen Bulli concept vehicle is displayed during the New York International Auto Show April 21, 2011 in New York City. The New York Auto Show is one of the largest auto shows in the country. (Photo by Ramin Talaie/Getty Images)

Mohamed Mostafa, 35, carries dyed yarns at a dye workshop in old Cairo, Egypt, March 17, 2016. Egypt's hard currency crisis and competition from modern factories in Asia and at home threaten one of the last dye workshops in Egypt. But one of its owners takes comfort in the trade's ancient resilience. Mohamed Mostafa boasts that the profession dates back 3,000 years, so it can survive anything. (Photo by Amr Abdallah Dalsh/Reuters)

“Elat’ma, the Ryazan Oblast region of Russia. This small town is only 300 kilometers (186 miles) from modern Moscow but remains 60 years in the past, dominated by the spirit of socialism. The air of the communist ‘50s can be seen in the town’s architecture, celebrations and other occurrences. But neither its beauty nor its ties to a socialist past brought photographer Anastasia Rudenko to this village. Elat’ma is unique in that it functions as a town for mentally disabled people”. – Michelle Cohan via CNN. (Photo by Anastasia Rudenko)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)