An arctic tern feeds its chick on the Farne Islands off the Northumberland coast, northern England July 8, 2013. The Farne Islands, which lie off the coast of northeast England, are home to a huge array of wildlife. The islands are owned and protected by the British conservation charity, the National Trust, which says they host some 23 species of seabird, as well as a substantial colony of grey seals, who come to have their pups there in the autumn. Every five years the National Trust carries out a census of the islands' population of puffins, and this year's survey showed there were almost 40,000 nesting pairs on the islands – an 8 percent rise from 2008. (Photo by Nigel Roddis/Reuters)

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Turks stand in a silent protest in Kugulu Park in Ankara, Turkey, Wednesday, June 19, 2013. After weeks of sometimes-violent confrontation with police, Turkish protesters have found a new form of resistance: standing still and silent. The banner with an image of Turkey's founder Kemal Ataturk reads: “Which crazy person thinks they can put me in chains”. (Photo by Burhan Ozbilic/AP Photoi)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

In this Thursday, May 16, 2013 file photo, Finland's Krista Siegfrids, second right, kisses a dancer as she performs her song “Marry Me” during the second semifinal of the Eurovision Song Contest at the Malmo Arena in Malmo, Sweden. That was the first girl-on-girl kiss in the history of the annual competition. Previously, organizers had sought to prevent similar embraces citing the competition's status as a family event. (Photo by Alastair Grant/AP Photo)

“I was born in the United States in 1985. As early as I can remember I’ve been a “doodler”. From even the early days I’ve always loved strange, offbeat, beautiful, and slightly melancholy things. Something about the mixed grabbed me. My love for sketching carried on throughout my high school days. Which is when I took a small class on watercolor. Watercolor is what birthed my passion for mixing colors and how a color can tell a story. In year 2009 I discovered digital painting and my new found passion for the medium. It’s been the favored medium for the past years since. I’ve used online tutorials and videos to help me learn along the way and then in late 2011 I took a workshop called Becoming a Better Artist. The beginning of 2013 I won a class from The Art Department which will start this spring.”

Sebastião Salgado is a Brazilian documentary photographer living in Paris. He has produced several books, and his work has been exhibited extensively around the world. His latest work, «Genesis», premieres at The Natural History Museum in London on April 11, on view through September 8, 2013. Photo: On South Georgia, a barren island in the far South Atlantic, a pair of southern elephant seal calves beckon before a colony of king penguins. “The male seals can grow to almost five tons,” says Salgado, “but these are just babies. This one looked at me with beautiful eyes”. (Photo by Sebastião Salgado/Amazonas/Contact Press Images)

“Bombay’s once ubiquitous Premier Padmini taxis were introduced in the 60s and are dwindling at an alarming rate. This follows a decree banning vehicles over 25 years old from the streets to be replaced with “modern alternatives”. In a few years these iconic workhorses will be gone from Bombay’s streets altogether. It is important to capture this before it disappears and I see the road wallah's cabs as the time capsules that allow me to do this”. – Dougie Wallace, Bombay India, March, 2013. (Photo by Dougie Wallace)