An environmental activist performs during a protest in front of the headquarters of Brazilian mining company Vale SA in downtown Rio de Janeiro, Brazil, November 16, 2015. The collapse of two dams at a Brazilian mine, owned by Vale SA and BHP Billiton Ltd, has cut off drinking water for quarter of a million people and saturated waterways downstream with dense orange sediment that could wreck the ecosystem for years to come. Nine people were killed, 19 are still listed as missing and 500 people were displaced from their homes when the dams burst at an iron ore mine in southeastern Brazil on November 5. (Photo by Sergio Moraes/Reuters)

A girl plays in the Eshash el-Sudan slum in the Dokki neighbourhood of Giza, south of Cairo, Egypt September 2, 2015. Residents of the slum clashed with police in late August, when about 50 ramshackle huts were destroyed and at least 20 people were injured by teargas, local media reported, as authorities attempt to clear the area and rehouse residents. The slum dwellers, some of whom have called Eshash el-Sudan home for 50 years, say there are not enough apartments built nearby to house them. The residents of the slum eke out a living by disposing of rubbish or baking bread. Schooling is too expensive for most of their children, who play with salvaged rubbish amid shacks made out of discarded wood and leather. (Photo by Amr Abdallah Dalsh/Reuters)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

In June, Mallory Gaudet picked up a little ginger kitten on the street and took him home. Mallory worried that the baby will not be able to get along with her ​​two other pets – ferrets, and they will hurt him. But it turned out that the new member of the family, named Ned, could get used to this neighborhood very fast. Moreover – these three animals became really best friends. Now kitten and ferrets play, eat and sleep all together. But the most touching thing is when Ned “washes” the ferrets. Interspecific and intergeneric animals’ friendship – is a rare phenomenon. But ginger kitten and two of his fellows break all the stereotypes.

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)

Have you ever heard of a phenomenon called the Uncanny Valley? Illustrations created by Swiss illustrator Christo Dagorov show how horrible something may look when it’s a hair’s breadth away from looking human. In his illustrations he combined the shape of human lips with trees, buildings, and even human bodies, making it look from a distance as if the lips were horribly deformed by some unknown disease. However, after a while you make out the shapes, yet the feeling of uneasiness remains, making you shiver from unsuppressable disgust. (Photo by Christo Dagorov)

Hisakata Hiroyuki, a talented photographer from Japan, has managed to snap a group of mortal tomcats in a variety of high-flying kung fu poses. Using his own rapid-fire reactions, he photographs the lovable cats flying through the air, their legs and paws outstretched, like something out of an action movie. (Photo by Hisakata Hiroyuki/Caters News Agency)

Aliia Nasyrova laying her hair on the couch to show her hair's length on March 5, 2017 in Riga, Latvia. Real-life Rapunzel Aliia Nasyrova has hair so long that her husband admits he thinks of it as another member of the family. Aliia, 27, who lives in Riga, Latvia, took 20 years to grow out her hair, which measures 90 inches to the floor – and even has its own space in the marital bed. And while her massive mane attracts stares when out in public, her husband Ivan Balaban says he loves it and is proud of her for not cutting it. Weighing in at 4.5lbs (2kg), Aliia says her lengthy locks weigh as much as the family cat. (Photo by Eduard Kolik/Barcroft Media)