A Kurdish female fighter from the People's Protection Units (YPG) gestures as she carries her weapon near al-Hawl area where fighting between Islamic State fighters and fighters from Democratic Forces of Syria are taking place in south-eastern city of Hasaka, Syria November 10, 2015. (Photo by Rodi Said/Reuters)

Men sleep at a 24-hour McDonald's restaurant in Hong Kong, China November 10, 2015. A large number of homeless people sleeping on the street has long been been a problem in Hong Kong mainly due to its high rent and soaring property. In recent years, McDonald's 24-hour fast food shops opening all over the city have become popular alternatives for people, know as McRefugees or McSleepers, to spend the night in a safer and more comfortable way than on the street. (Photo by Tyrone Siu/Reuters)

Devotees in traditional attire play flutes as they take part in a parade commemorating the Neku Jatra-Mataya festival, the Festival of Lights, in Lalitpur, Nepal August 31, 2015. Devotees celebrate the Buddhist festival which marks the victory of Sakyamuni Buddha over Mara, by praying for the souls of departed family members and holding parades throughout the city. (Photo by Navesh Chitrakar/Reuters)

An interactive art installation created by artist Michael Verdon called the “Temple of Essence” dedicated to "victims of the war on drugs" is burned on the U.S. National Mall in front of the Washington Monument in Washington November 22, 2015. People were encouraged to write personal messages on the temple walls and leave mementos behind inside the interactive art piece, which was the centerpiece of a 48-hour vigil called "Catharsis on the Mall: A Vigil for Healing the Drug War". (Photo by Jim Bourg/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Nikolai Vasilyev, 62, dressed as Father Frost, Russian equivalent of Santa Claus, water-skis along the Yenisei River outside Siberian city of Krasnoyarsk, Russia, December 10, 2015. Vasilyev, a teacher of the Krasnoyarsk Aerospace Academy, constructed the self-made water skis to travel on the water surface. The skis are made of plastic foam and the sticks are designed to propel him forward. (Photo by Ilya Naymushin/Reuters)

A couple hugs while standing near a Christmas tree made out of plastic bins and plastic hampers outside the Museum of History in Monterrey, Mexico, December 4, 2015. The humble Christmas tree has a rich history, from evergreen trees used to symbolise eternal life in Ancient Egypt to tree worship among pagan Europeans. The modern version has its origins in Germany, where the song “O Tannenbaum” is still a festive favourite. Today the traditional tree with lights and decorations appears in cities including Washington, Moscow and Beirut. Alternative constructions range from recycled rubbish in Mexico City to old window frames in Rakvere, Estonia. Whatever the shape or size, the message is the same: Merry Christmas. (Photo by Neil Hall/Reuters)

A man prepares plastic strings, used to produce mats, inside a mat factory in the rebel-controlled area of Maarshureen town in Idlib province, Syria, December 22, 2015. The town is known for the significant number of mat factories which exports its production mainly to nearby Iraq through checkpoints controlled by insurgents. But in the past months the business has declined due to heavy airstrikes against insurgents, vendors said. (Photo by Khalil Ashawi/Reuters)