An interactive art installation created by artist Michael Verdon called the “Temple of Essence” dedicated to "victims of the war on drugs" is burned on the U.S. National Mall in front of the Washington Monument in Washington November 22, 2015. People were encouraged to write personal messages on the temple walls and leave mementos behind inside the interactive art piece, which was the centerpiece of a 48-hour vigil called "Catharsis on the Mall: A Vigil for Healing the Drug War". (Photo by Jim Bourg/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

Some of the most powerful narratives of the past decade have been produced by a forward-thinking generation of women photojournalists as different as the places and the subjects they have covered. National Geographic's “Women of Vision” exhibit features the work of 11 photographers and is on display at the Fernbank Museum of Natural History in Atlanta until January 3, 2016. Here: Nujood Ali stunned the world in 2008 by obtaining a divorce at age 10 in Yemen, striking a blow against forced marriage. (Photo by Stephanie Sinclair/National Geographic)

Nikolai Vasilyev, 62, dressed as Father Frost, Russian equivalent of Santa Claus, water-skis along the Yenisei River outside Siberian city of Krasnoyarsk, Russia, December 10, 2015. Vasilyev, a teacher of the Krasnoyarsk Aerospace Academy, constructed the self-made water skis to travel on the water surface. The skis are made of plastic foam and the sticks are designed to propel him forward. (Photo by Ilya Naymushin/Reuters)

Boys play basketball in the facilities of Belarus' Republican Clinic of Speleotherapy within a salt mine, as part of their treatment, near the town of Soligorsk, south of Minsk, February 19, 2015. According to the state clinic, more than 7,000 children and adults seek medical treatment for respiratory illness each year in the subsurface chambers of its facilities, located 420 metres underground between layers of potassium and stone salts in an operational salt mine. (Photo by Vasily Fedosenko/Reuters)

Recycling artist Nicolas Gomez checks the strings of a cello he has made out of an oil barrel for the Orchestra of Recycled Instruments of Cateura, in Cateura, Paraguay February 13, 2015. Saudi Arabia's oil exports have risen in February in response to stronger demand from customers. As OPEC's top producer battles for market share Reuters photographers around the globe have been photographing oil barrels to document how they are utilised once the fuel has been used. (Photo by Jorge Adorno/Reuters)

A quirky cartoonist challenged his own creation to a fight – but he could only draw. US artist Alex Solis, 31, from Chicago, Illinois, drew his skull t-shirt-wearing alter ego, who he calls Chuck, smashing his phone and stabbing his finger in his Inkteraction pictures. But Alex got his own back with a punch to Chucks jaw before squashing him against the bottom of the page. The ink man tried to get under Chucks skin to win the fight by stretching and pulling the cartoons face as the drawings became more bloody. (Photo by Alex Solis/Caters News)

Shi'ite fighters launch a rocket during clashes with Islamic State militants on the outskirts of al-Alam March 8, 2015. Thaier Al-Sudani: “It was me and a few other Iraqi journalists working for local outlets. We went to the frontlines in coordination with the Iraqi government forces and supporting militias. The press officer would come in the morning and take us to the frontline in a convoy. Whenever an area was won from Islamic State, the fighters would chant and pray and show victory signs. Most of the areas we were in didn't have residents, so after the battle they would resemble ghost towns; nothing but burnt cars and charred bodies of Islamic State fighters. Al-Alam was an exception as it had some residents who chanted for the government forces after their victory”. (Photo by Thaier Al-Sudani/Reuters)