Mr. Ben, a pygmy slow loris, is administed anesthetic during one of Bristol Zoo's in-house veterinary clinic routine health check-up and teeth clean as part of the Zoo's standard animal husbandry and welfare procedure at Bristol Zoo on June 18, 2009 in Bristol, England. (Photo by Matt Cardy/Getty Images)

Cuts of beef are displayed at Marina Meats on January 31, 2012 in San Francisco, California. Severe drought is a contributing factor in the declining cattle count, which has sent wholesale beef prices up 6.4 percent in the past 12 months. The price for a pound of beef (0.454 kg) peaked in price at $1.98 a pound on November 23, the highest price since 2004. (Photo by Justin Sullivan/Getty Images)

Karolina Kurkova, Alana Zimmer, Valerija Kelava, Eniko Mihalik, Snejana Onopka and Iris Strubegger star in “Hairy Tales” a focus on mostly big hair styled by Luigi Murenu (hair style; Make-up: Karim Rahman) for «Vogue» Germany April 2012. Joanne Blades styles the editorial with Daniele and Iango behind the lens.

Lindsay Heimbach goes airborne while sledding down a hill on Mt. Lemmon December 27, 2008. (Photo by James Gregg/Arizona Daily Star)

A zookeeper feeds a hippopotamus with a watermelon in its enclosure in Belgrade's zoo, Serbia, July 20, 2015. Temperatures in Serbia have risen up to 40 degrees Celsius (104 degrees Fahrenheit), according to official meteorological data. (Photo by Marko Djurica/Reuters)

IT'S a relatively simple idea – set up a mirror so you can capture the reflection of a dramatic landscape in a single photograph. Photographer Daniel Kukla, from New York, created a spectacular series of artworks called The Edge Effect using the technique. He clamped the mirror onto an easel and placed it in various settings in the Joshua Tree National Park, California.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.