A jogger runs on the bank of Donaukanal channel in central Vienna, Austria, September 5, 2016. (Photo by Heinz-Peter Bader/Reuters)

A man pulls a cart with collapsed cardboard boxes past boutiques in the Sinchon district in Seoul, May 5, 2015. (Photo by Thomas Peter/Reuters)

Children react as they celebrate Guy Fawkes day in Soweto, South Africa, on November 5, 2014. (Photo by Siphiwe Sibeko/Reuters)

A worker unloads fish from a taxi boot at a fish market in Kolkata, India on February 5, 2018. (Photo by Rupak De Chowdhuri/Reuters)

People on inflatable boats enjoy the weather on the Lake Lucerne in Sisikon, Switzerland, August 5, 2018. (Photo by Denis Balibouse/Reuters)

The moon rises on the behind the “Torchbearer” statue in Hannover, Germany, Wednesday, November 5, 2025. (Photo by Julian Stratenschulte/dpa via AP Photo)

A Cambodian villager rides a buffalo during the Pchum Ben festival, the festival of death, at Vihear Suor village in Kandal province on October 1, 2016. Thousands of Cambodians descended on the small village northeast of the capital on October 1 to cheer on the annual water buffalo race that marks the end of the 15-day festival for the dead. (Photo by Chor Sokunthea/AFP Photo)

Intrigued by photographing time, Singapore-based photographer Fong Qi Wei created single, composite pictures from a sequence of images spanning 2-4 hours. He concentrated on capturing sunrises and sunsets as they evolved over different landscapes, seascapes, and cityscapes. He then digitally stitched the images together to get a snapshot of time passing over the scene for his series “Time is a Dimension”. “Most paintings and photographs are an instance of time”, Wei explained in his artist’s statement. “That’s not the way the world works. We experience a sequence of time, and that’s why a video is somehow more compelling than a freeze frame”. (Photo by Fong Qi Wei/Thoughtful Photography)