A woman wearing a “Free Luigi” T-shirt walks at the Manhattan Supreme Court on the day Luigi Mangione, the suspect in the killing of UnitedHealthcare chief executive Brian Thompson, is to appear on New York State murder and terrorism charges, in New York City, U.S., on September 16, 2025. (Photo by Mike Segar/Reuters)

People take part in a lowrider car show celebrating lowriding culture and supporting immigration, in San Francisco, California, U.S., September 20, 2025. (Photo by Manuel Orbegozo/Reuters)

Manchester United's Amad Diallo, left, challenges for the ball with Chelsea's Enzo Fernandez during the English Premier League soccer match between Manchester United and Chelsea at the Old Trafford stadium in Manchester, England, Saturday, September 20, 2025. (Photo by Dave Thompson/AP Photo)

TV personality Meredith Marks at Caesars Forum in Las Vegas, NV on Friday, November 14, 2025. (Photo by: Griffin Nagel/Bravo via Getty Images)

The American skier Lindsey Vonn celebrates winning the women’s downhill race in the FIS Alpine Ski World Cup on December 12, 2025. She is joined on the podium by Moritz, the competition’s official mascot, named after the Swiss resort in which it is held. (Photo by Denis Balibouse/Reuters)

Kim Anderson photography career, now overseen from his home base in a Swiss mountainside village, began the way of many shutter bugs. His early photos focused on fashion and people, as well as photography for advertising agencies.

Where Children Sleep – stories of diverse children around the world, told through portraits and pictures of their bedrooms by James Mollison. This is a selection from the 56 diptychs in the book (Chris Boot November 2010). The book is written and presented for an audience of 9-13 year olds ‘ intended to interest and engage children in the details of the lives of other children around the world, and the social issues affecting them, while also being a serious photographic essay for an adult audience.

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.