A tourist takes photos among fireweed, or kochia scoparia, at an archaeological site park on September 13, 2022 in Xi'an, Shaanxi Province of China. (Photo by Zhang Yuan/China News Service via Getty Images)

A Ukrainian service member smokes near a frontline, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on February 8, 2023. (Photo by Yevhenii Zavhorodnii/Reuters)

Military chaplain Yurii looks on in a trench after an Orthodox Easter service for Ukrainian servicemen at their position, as Russia's attack on Ukraine continues, in Kharkiv region, Ukraine on April 15, 2023. (Photo by Sofiia Gatilova/Reuters)

Ukrainian service members walk to an armoured personnel carrier outside of the frontline town of Bakhmut, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on May 23, 2023. (Photo by Yevhenii Zavhorodnii/Reuters)

Firefighters take part in the bodybuilding event during a firefighting skills contest at the National Fire Service Academy in Gongju, South Korea on June 13, 2023. (Phoot by Yonhap/EPA)

Ivy on a house in North Queensferry, UK begins to turn from green to red as autumn draws nearer on August 26, 2024. (Photo by South West News Service)

Festina lente (Latin for "make haste slowly") is a pedestrian bridge over the Miljacka River in Sarajevo. The bridge is 38 meters long and features an unusual looping in the middle, suggesting slowing down and enjoying the view. Conceptual design for the bridge was created by three students of the Academy of Fine Arts in Sarajevo: Adnan Alagic, Amila Hrustić and Bojana Kanlic. The bridge connects the Mak Dizdar embankment (close to the Academy) with Radic street. It was officially opened on 22 August 2012.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.