A woman takes a photo of a mural by Berlin-based street artist Eme Freethinker featuring the likeness of US actor Will Smith (R) slapping US comedian Chris Rock during the Oscars ceremony, in Berlin on March 30, 2022. (Photo by John MacDougall/AFP Photo)

A model practices her walk ahead of Dakar fashion week on Goree Island in Dakar, Senegal, on December 03, 2022. The 20th anniversary of Dakar fashion week is held in a preserved colonial era fort on Goree island, which was one of Africas biggest slave trading centres during the 15th and 16th century. (Photo by John Wessels/AFP Photo)

Belgium's Jules Hesters (L) falls as he competes in the Men's Elimination race during the first day of the UEC European Track Cycling Championships at the Omnisport indoor arena in Apeldoorn, on January 10, 2024. (Photo by John Thys/AFP Photo)

Vinaya Vijay, right, and Vijay Parthasarathy wade through water at Badwater Basin, Thursday, February 22, 2024, in Death Valley National Park, Calif. The basin, normally a salt flat, has filled from rain over the past few months. (Photo by John Locher/AP Photo)

Thailand's King Bhumibol Adulyadej in serious portrait January 01, 1960. Thailand's Royal Palace said on Thursday, October 13, 2016, that Thailand's King Bhumibol Adulyadej, the world's longest-reigning monarch, has died at age 88. (Photo by John Dominis/The LIFE Picture Collection/Getty Images)

Japan' s Kaori Sakamoto competes in the women' s single skating short program of the figure skating event during the Pyeongchang 2018 Winter Olympic Games at the Gangneung Ice Arena in Gangneung on February 21, 2018. (Photo by John Sibley/Reuters)

A Colombian anti-narcotics policeman stands guard after burning a cocaine lab, which police said belongs to criminal gangs, in a rural area of Calamar in Guaviare state, Colombia, August 2, 2016. Colombian law enforcement has destroyed 104 cocaine laboratories capable of producing some 100 tonnes of the drug annually, the head of the anti-narcotics police said on Tuesday. (Photo by John Vizcaino/Reuters)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)