Wrestlers participate during the traditional Sindhi Malakhra wrestling in Larkana, Pakistan, 30 January 2021. A Malakhra match begins with both wrestlers tying a twisted cloth around the opponent's waist. Each one then holds onto the opponent's waistcloth and tries to throw him to the ground. (Photo by Waqar Hussein/EPA/EFE)

A man dressed in traditional clothes tries to pull his opponent over the table at the 40th Alpine Country Championships in Fingerhakeln_finger wrestling_ in Woernsmuehl, Germany, Thursday, May 25, 2017. Competitors battled for the title in this traditional rural sport where the winner has to pull his opponent over a marked line on the table. (Photo by Matthias Schrader/AP Photo)

A mannequin wearing a face mask stands at the entrance of a women's clothing store in La Paz, Bolivia, Monday, June 1, 2020. After more than two months of quarantine to curb the spread of the new coronavirus the government authorized the restart of public transport and several industrial and commercial activities. (Photo by Juan Karita/AP Photo)

A woman dressing the traditional clothes of a “cholita”, skates during a skate festival on September 30, 2020 in La Paz, Bolivia. According to the Johns Hopkins University Resource Center, Bolivia has over 130,000 confirmed cases of Covid-19 and more than 7,500 deceases. (Photo by Gaston Brito/Getty Images)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

A changing of the honor guard ceremony by the Tomb of the Unknown Soldier in Alexander Garden by the Kremlin Wall in Moscow, Russia on May 29, 2020. (Photo by Vladimir Gerdo/TASS)