Fans dressed in Spider-Man outfits gather at a promotional event for the forthcoming “Spider-Man: Homecoming” movie at the Art Science Museum in Singapore on June 7, 2017. The movie will be shown in cinemas around the world from July 5 onwards. (Photo by Toh Ting Wei/AFP Photo)

A bicyclist with a bike painting on her face rides past the Museum of the Future, in Dubai, United Arab Emirates, Sunday, November 6, 2022. Thousands of people take part in annual Dubai Ride on the skyscraper-lined super highway that cuts through the center of the city. (Photo by Kamran Jebreili/AP Photo)

Janus, a two-headed Greek turtle named after the Roman god with two heads is testing a kind of skateboard to rehabilitate one day ahead of her 25th birthday at the Natural History Museum in Geneva on September 2, 2022. (Photo by Pierre Albouy/Reuters)

Director Rian Johnson takes a photo of cast member Janelle Monae at the premiere for the film Glass Onion: A Knives Out Mystery at the Academy Museum of Motion Pictures in Los Angeles, California, U.S., November 14, 2022. (Photo by Mario Anzuoni/Reuters)

Visitors hold mobile devicecs in front of the golden burial mask of King Tutankhamun during the first day for visitors after the official opening of the Grand Egyptian Museum in Giza, Egypt, Tuesday, November 4, 2025. (Photo by Amr Nabil/AP Photo)

Activists stage a protest outside the Louvre pyramid, calling the museum to cancel its contracts with French oil giant Total and Italian oil company Eni, in Paris, France, December 9, 2015, as the World Climate Change Conference 2015 (COP21) continues at Le Bourget near the French capital. (Photo by Benoit Tessier/Reuters)

A soldier from the South Korean army special forces breaks stone plates with her head during a martial arts demonstration for Memorial Day at Korea War Memorial Museum in Seoul, South Korea, Monday, June 6, 2016.(Photo by Ahn Young-joon/AP Photo)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.