Mazouza Bouglada, 86, a berber woman from the Chaouia region, who has facial tattoos, poses for a photograph in Taghit in the Aures Mountain, Algeria October 8, 2015. Bouglada was tattooed aged 7 by a nomadic man from the Sahara region. She was advised by her mother to get tattooed. The more she got tattooed the more she showed off. Even if she still remembers the pain, she felt beautiful once it was done, Bouglada said. She was very proud of her stars on her cheeks. Her eldest sister had been tattooed before her and she wanted to imitate her. Bouglada said she has now given away all her silver jewellery to atone for the sin that believers told her she had committed by being tattooed. (Photo by Zohra Bensemra/Reuters)

Marani Devi Chaudhary (C), aged 40, performs a ritual in front of shaman Paltan Yadav (unseen) at her home in Rajaur village in Dhanusha district, Nepal, 02 November 2017. The shaman identified Marani Devi to be possessed by their lineage god who was dissatisfied by their worship is thought by the family to have caused them misfortune and is even feared lead to their death. (Photo by Narendra Shrestha/EPA/EFE)

Moroccan photographer and filmmaker Achraf Baznani carries on the traditions of Surrealism with his wild, imaginative, and wholly impractical imagery. Among his inventive scenarios, small human figures—often the artist himself—appear trapped within glass jars or the size of a camera lens; in other works, Baznani more or less dissects his body, as for example, in one, he cleanly removes his brain from his cranium, or in another, twists off his hand, much as if it were a light bulb. Imparted throughout such works are strong senses of humor and wonder, and as such, Baznani’s art offers a Surrealistic take on life experience in the digital age.

Thomas Barbèy grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer.

Kieron Williamson (born 4 August 2002) is a watercolour artist from Holt, Norfolk in England. His paintings and ability by the age of six have caused considerable interest in the UK media and are notable for his advanced use of perspective and shading. He has been described as a prodigy, and at his second exhibition in 2009, his paintings sold out in 14 minutes, raising a total of £18,200 for 16 paintings. A subsequent exhibition in Holt in July 2010 saw his paintings all sold within 30 minutes, at a total value of £150,000

At the beginning of the 20th century, Edward S. Curtis set out to document what he saw as a disappearing race: the Native American. From 1907 to 1930, Curtis took more than 2,000 photos of 80 tribes stretching from the Great Plains to the Pacific Northwest and Alaska. He then published and sold these photos, along with narrative text, in 20 volumes of work known as “The North American Indian”. It is one of the most significant collections of its kind, “probably the most important photographic document of its age and its topic,” said Jeffrey Garrett, associate university librarian for Special Libraries at Northwestern University. (Photo by Edward S. Curtis)

Are you a fan of beards? If you are, have you ever thought that it might look like some sort of furry animal? David Kiefaber thought of the same thing when he participated in the “Free Your Skin” campaign, organized by Y&R New Zealand. You might think that you look all rugged and manly while wearing that luscious beard. But in reality, you simply look like a guy with a dead squirrel on his face. Or a raccoon… if you’re a greying middle-aged man. Hopefully, you’re not one of those people whose beard looks and/or smells like a skunk.