People struggle to hold onto their umbrellas in a crosswalk in the rain in Seoul, South Korea, 08 August 2022, as the rainy seas​on revisits the country. (Photo by Yonhap/EPA/EFE)

A woman searches for nails and other metal scraps from remains of burned houses that were gutted during a fire at a poor bayside village in the district of Tondo, Manila, Philippines on Friday, May 20, 2022. Investigators said about 300 families became homeless after the fire that happened Thursday night. (Photo by Aaron Favila/AP Photo)

In this July 20, 2019 photo, children play during a sports event organized by members of the Caracas FC soccer club, in Catia, one of the poorest slums in Caracas, Venezuela. When the Caracas Football Club plays, its supporters leave their ideological preferences and socioeconomic differences behind, joining together to support and take care of each other inside and outside the stadium. (Photo by Matias Delacroix/AP Photo)

A boy looks on as he swims in an area affected by floods due to the overflowing of the Batanghari River at Sungai Bungur village in Muaro Jambi, Jambi province, Indonesia, on February 20, 2024, in this photo taken by Antara Foto. (Photo by Wahdi Septiawan/Antara Foto via Reuters)

Jill Olsen (R) has her picture taken inside a giant cocoon, from the “Falling Skies” TV series, during the 2014 Comic-Con International Convention in San Diego, California July 24, 2014. (Photo by Sandy Huffaker/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

A visitor wears an outfit as she watches the St. George NextGen show for Fashion Week in Sydney on May 16, 2017. (Photo by Peter Parks/AFP Photo)

A visitor takes pictures with a smartphone of an artwork entitled “Blue Europe, 2015” by Chinese artist Liu Bolin, on display during the exhibition “Visible Invisible” at the Mudec Museum in Milan on May 14, 2019. Liu Bolin known as “the invisible man” for his photographic self-portraits, focused on a body-painting blending with the surrounding area. (Photo by Miguel Medina/AFP Photo)