A demonstrator smashes a shop window during a protest condemning the arrest of rap singer Pablo Hasél in Barcelona, Spain, Saturday, February 20, 2021. A fifth night of peaceful protests to denounce the imprisonment of a Spanish rap artist once more devolved into clashes between police and fringe group members who set up street barricades and smashed storefront windows in Barcelona. (Photo by Joan Mateu/AP Photo)

The little new born wombat baby APARI sitting in its mothers pouch at the zoo in Duisburg, Germany, Thursday, March 29, 2018. Wombat mother TINSEL once was found in the pouch of its dead mother on a street in Australia and was raised by zookeepers before she came to Germany. The zoo tried for 40 years in vain to breed a wombat, until APARI was born as the first one last week. (Photo by Martin Meissner/AP Photo)

Every once and a while an artistic endeavor is so bold, so courageous and so innovative we are left speechless in its wake. Today, that project is “Pizza in the Wild”. The brainchild of Los Angeles-based photographer Jonpaul Douglass, the Instagram series that is so much more follows unsupervised pizzas – pepperoni pizzas, to be exact – living the L.A. life.

Michael Olivant, a Times reader, saw a chance to contribute when a Dalmatian pelican landed on his wife’s head at Lake Kerkini in northern Greece in the first decade of February 2025. (Photo by Michael Olivant/The Times)

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.

Anja Rubik poses as she arrives for the screening of the film “Dolor Y Gloria (Pain and Glory)” at the 72nd edition of the Cannes Film Festival in Cannes, southern France, on May 17, 2019. (Photo by Stephane Mahe/Reuters)