Keira Knightley attends the premiere for “A Dangerous Method” at The 55th BFI London Film Festival at The Odeon West End on October 24, 2011 in London, United Kingdom. (Photo by Dave Hogan/Getty Images)

A smiling gecko bursts through a gap in the bark to surprise photographer in West Java, Indonesia in the last decade of March 2025. (Photo by Dzul Duzulfikri/Animal News Agency)

Actress Cristin Milioti attends the HBO Max Primetime Emmy Awards Afterparty at San Vicente Bungalows on September 14, 2025 in West Hollywood, California. (Photo by David Jon/Getty Images for HBO Max)

Performers in costume kiss as they take part in the carnival on the main Parade day of the Notting Hill Carnival in west London on August 27, 2018. Nearly one million people are expected by the organizers Sunday and Monday in the streets of west London' s Notting Hill to celebrate Caribbean culture at a carnival considered the largest street demonstration in Europe. (Photo by Daniel Leal-Olivas/AFP Photo)

A Palestinian woman flashes a V-sign towards Israeli troops during an army raid in the Tulkarem refugee camp, West Bank, Wednesday, January 17, 2024. An Israeli airstrike killed four Palestinians during a raid in the West Bank. The military says it targeted a group of militants who had opened fire and were throwing explosives at Israeli soldiers in the Tulkarem refugee camp. The Palestinian Health Ministry says four people were killed. (Photo by Nasser Nasser/AP Photo)

“John Thomson (14 June 1837 – 29 September 1921) was a pioneering Scottish photographer, geographer and traveller. He was one of the first photographers to travel to the Far East, documenting the people, landscapes and artifacts of eastern cultures. Upon returning home, his work among the street people of London cemented his reputation, and is regarded as a classic instance of social documentary which laid the foundations for photojournalism. He went on to become a portrait photographer of High Society in Mayfair, gaining the Royal Warrant in 1881”. – Wikipedia. Photo: Ex Omnibus Driver. (Photo by John Thomson/LSE Digital Library)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.