Demonstrators march on a Slutwalk on June 4, 2011 in Glasgow, Scotland. Glasgow's first ever sl*t walk made its way through the town center streets in a bid to raise awareness about commonly-held attitudes towards rape and sexual assault. (Photo by Jeff J Mitchell/Getty Images)

Pionneers from Aubagne's 1st Foreign Regiment (Legion etrangere) march the Champs-Elysees during the annual Bastille day parade on July 14, 2011 in Paris, France. The French National Day celebrates its revolution in the storming of the Bastille in 1789 through various parades and official ceremonies throughout France. (Photo by Franck Prevel/Getty Images)

Bulls fight during the annual Bullfighting Festival on March 17, 2010 in Cheongdo, South Korea. More than 130 bulls from South Korea and abroad charge and lock horns in the annual festival which was run March 21, 2010. The bulls are grouped into three weight categories and fight head on until one of the bulls turns its head and runs away. (Photo by Chung Sung-Jun/Getty Images)

KALTENBERG, GERMANY - JULY 08: Actors dressed as knights perform during the traditional Kaltenberg knight tournament on July 8, 2007 in Kaltenberg, Germany. With around 120,000 visitors each year, the festival including knight tournaments, medieval styled markets and a variety of music performances, the event is one of the biggest of its kind. (Photo by Johannes Simon/Getty Images)

Angler Thomas Rielly catches a fish during the opening of the salmon fishing season on the River Tay January 16, 2012 in Kenmore, Scotland. A procession with a pipe band and anglers made its way through Kenmore at the east end of Loch Tay to mark the start of the 2012 salmon season on the River Tay. (Photo by Jeff J. Mitchell/Getty Images)

Sebastien Laurent, manager of the Zoo, gives a slice of cake to Major, the holdest captive Orang-Outang in the world, as part of its 50th birthday ceremony, on July 17, 2012, at the La Boissiere-du-Doree Zoo near Nantes, western France. (Photo by Alain Jocard/AFP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.